https://www.math.ucla.edu/~jteran/papers/SSCTS13.pdf The
first idea to walk into the cinema was to watch this film as a technical demo.
As a result, the feature film stopped me right from the beginning.
From the beginning to the end of let it go, Frozen is of a level that can only be photographed by knocking medicine.
The technological gap is actually not terrible.
Disney has demonstrated its strong and profound artistic skills in this film.
It always shows the top atmosphere in classical art, ballet + opera + oil painting.
The level can only be seen in the Royal Opera House and the National Gallery.
I used to think that as long as there is a scene in a movie that can catch up with a classic painting, a scene that can catch up with a classic piece of an opera, it can be called a masterpiece. Disney is so powerful that the film has never fallen at this level from the beginning to let it go.
Looking at the composition and color, you know that this is the skill of ten years of classical oil painting. The
protagonist bows his head and pulls the skirt, which is the foundation of ten years of stage play. As
soon as the symphonic background soundtrack is played , you can hear that he was writing opera in his previous life.
Yes . In the end, the look of my sister stepping forward to rescue her sister is something Italians played five hundred years ago. It
is in the Louvre, and it is not compromised at all.
Ten years of technology, a hundred years of skill,
excellent temperament, and not full Exaggeration.
In this entertainment world where evildoers
live and are popular in the south of the Yangtze River, Disney's Frozen reproduces the dignity and glory of classical beauty.
I would like to give it a hundred stars
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If Disney's films are of this level,
local tyrants can only feed the animals.
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