According to the interpretation of Japanese traditional culture, people's souls are "hidden" in the abdomen. In this sense, it was Zhi Yuhe who endowed Xiaowang with "people's hearts", which is a Westernized expression. Furthermore, the image motif of "Air Puppet" is the emptiness of human hearts in the process of Japan's modernization. Housekeeping, maid costumes, lolicon, and makeup control can all find a certain degree of teasing in the film. What is particularly powerful is that it is Hirokazu Edema that injects questions about the fundamental way of human existence in this "roaming the world" perspective. How exactly do people live? In the climax passage, Xiaowang cut through Junichi's belly with a knife and asked him, "Excuse me, where is your inflatable hole?" The reference between Xiaowang and Junichi came to the screen.
In the end, Xiao Wang fatefully became a kind of incombustible garbage. Overall, it is Hirokazu Ee's "Air Doll" that seems to be an elegant and indifferent electronic music. Its musical note jumped out of the existential crisis encountered by mankind in the process of modernization.
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