The moral and ending of the film is enough to give five stars

Arturo 2022-01-21 08:01:20

Very good movie, but the poster is too bad, it looks like an influential CULT movie. If you don’t see the introduction of the movie, you will miss
it. A feature movie. If you treat this movie as a thriller, you will watch it. Very disappointed, maybe you think the story is not compact, but it is already very real as a feature film.
About the title: STUCK
some friends think the title is bad, the Chinese name is indeed completely different from the style of the movie, but I think the English name is stuck. appropriate.
Search in the google dictionary, the explanation for the word
STUCK : 1.unable to move or to be moved
2. in an unpleasant situation or place that you cannot escape from (in) ; 氣(
于) 3. unable to answer or understand something 捲擊; cannot answer; stuck~ (on sth)
4. not knowing what to do in a particular situation for sth)
5. unable to get rid of somebody/something that you do not want
6. to start doing something in an enthusiastic way, especially to start eating eat up the
first and most direct means actor stuck in the car, and interpretation 1.
Explanation 2: The male protagonist Tom is unemployed, in a difficult situation, and even has to sleep and eat. What's more unfortunate is that he bumps into the difficulties in the future, is seriously injured and has nowhere to ask for help; the heroine has a series of chain reactions after the car accident, being late, and being absent from work. Wait for a while. The series of terrible things
explanation 3: How the heroine and boyfriend deal with this tramp
Explanation 4: The heroine is very entangled after hitting someone whether to call the police, how to deal with the tramp, how to kill him
Explanation 5: The heroine after a car accident The spirit is stimulated, and Tom's injured face will appear in his mind when he has sex with a man, and he can't calm down in anxiety even when he goes to work.

The center of the film’s desire to express can be viewed from two levels.
One is the personal level: the behavior and results of the heroine Brandi and the hero Tom. The
heroine Brandi, the little nurse, could have been promoted-go to the dance hall to drink, take drugs, and come out in the middle of the night. I called my unreliable boyfriend while driving, and there was a car accident-no alarm, and no corpse on the side of the road-drove home in the hidden garage-went to work the next day-went back to the garage to get the phone-find The boyfriend found out about the fishery-the two returned to Brandi to discuss how to deal with Tom tying Tom-planning to throw it into the park at night and destroy the body-her boyfriend was killed-she went to the garage and wanted to burn Tom to death-was hit by Tom I got stuck between the car and the wall-after pleading, I shot Tom with a gun, and I was burned to death.
The male protagonist Tom, a very unlucky person, was unemployed and kicked out by the landlord. He went to an employment agency for an interview. As a result, he didn’t have his name on the computer, and he had been a project manager before (capitalism is cruel, so learn to eat Good socialist meal), but before I got the provident fund, the company went bankrupt and lost money. I was unemployed and had no income. I went to the park to sleep — half of my sleep was kicked out by the police — I was hit by a red light on the street in the middle of the night — —In a car crash — I asked Brandi for help — I was waiting for help, but I heard her babbling with her boyfriend (knowing that she wouldn’t call an ambulance) — I asked for help outside — It’s useless, so I had to help myself — Killed Brandi’s boyfriend -Bumped Brandi-let her off-escaped from the garage by himself.
It can be said that the reason Brandi had such a result was completely caused by her. It was her own choice that pushed herself to death again and again. If she didn’t shoot that shot, if she called the hospital, if she Forget TOM, if she doesn’t drink and drove... she won’t end up like this, but she was wrong from the beginning. If she didn’t have any omissions in drug abuse, if she didn’t find a drug dealer boyfriend... she wouldn’t. When something like this happened, she said that it was TOM’s fault, she was not wrong, she was wrong in perception, wrong behavior will form wrong perception, and wrong perception will affect wrong behavior, repeating .
This movie reminds me of a word: Karma-Karma. The Buddhist word, "karma" means Sanskrit, Karma, transliterated "Karma", which refers to the continuous activity of each person with his own willpower, and the result of the reaction of the activity creates his own personality, which in turn becomes the basis for future activities to dominate oneself Fate. (See Baidu Encyclopedia, keyword "karma") She did this because of her own behavior.
TOM was so miserable. He was unemployed and was hit by someone severely injured. But at this time, being alive became his biggest goal. He begged Brandi again and again, first "Save me" and then "Let me go, I won't I know you, I don’t know your name, I won’t tell others", but he turned into anger in the end, but his conscience told him that he didn’t kill Brandi when he was holding a gun. Extremely, he drove into BRANDI-the situation of the two people was reversed-BRANDI begged Tom to spare her-TOM spared him, and BRANDI shot him but failed, but set himself on fire, and Tom exhausted all his energy to escape. Out of the garage, a boy's hand also brought warmth to the end of the film while panting.

One is the social aspect: the unemployed groups in the economic downturn, the formalization and rigidity of the rescue hotline, the police's neglect of citizen safety, the neglect of the disadvantaged groups in the society, and the fact that the director wants to express the social dilemma.
Ah, I don't bother to write anymore... Just like this
PS, because it is a feature film, so in my opinion the pain brings more realism.

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Extended Reading

Stuck quotes

  • Joe Lieber: Take a seat.

    Thomas Bardo: Hi. I'm Thomas Bardo. Sorry about the clothes.

    Joe Lieber: And how do you spell your name?

    Thomas Bardo: B-A-R-D-O. Yeah, you'll probably see that I was a project manager. Very challenging job, but my company decided to downsize just before my benefits kicked in. You know how that is. Then the unemployment ran out. I thought I might have better luck in the city, but... you know how that goes.

    Joe Lieber: You know, I can't seem to find you in the computer.

    Thomas Bardo: Oh?

    Joe Lieber: All right.

    [He opens a drawer and takes out a form]

    Joe Lieber: You take that, fill it out, and mail it in.

    Thomas Bardo: Uh, I've already filled this out.

    Joe Lieber: Well, you can't be in the computer until you fill it out and mail it in.

    Thomas Bardo: But I've already mailed this in. That's how I got the appointment.

    Joe Lieber: Well, you can't have an appointment until you're in the computer.

    Thomas Bardo: But I have an appointment. It was at one, and I've been waiting for three and a half hours.

    Joe Lieber: But you're not in the computer.

    Thomas Bardo: But...

    Joe Lieber: You're not in the computer. So, you fill out the 976, you mail it in to me, and I will make sure you get an appointment.

    Thomas Bardo: Look, Mr. Lieber, this hasn't been a good day for me, you know. Can't you just take my word that I've already sent this in? Or put me in now, and...

    Joe Lieber: Sir, look, um, if you're willing to follow procedures, we can work with you. If not... it's your choice.

    Thomas Bardo: [Thomas sighs in defeat] Well, I guess I'd better fill this out, huh?

    Joe Lieber: That's the procedure.

  • Brandi Boski: [to the man stuck in her windshield] Why are you doing this to me?

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