The director Yuan Heping (or the producer?) "will pick actors" is also reflected in "War God" Jay Chou. In fact, the first half of the film was very serious and cheesy at best. It was the kind of fake benevolence in Hong Kong action movies, the brothers were obviously capable of being close to the opposite, and the women were struggling to run through the main line of the story. The fate was helpless. In the second half of the film, Su Can and his wife Zhou Xun fell into the wild in the middle of the film, and his daily masturbation and fictitious battle with the martial arts made his martial arts more advanced, he, Jay Chou, appeared, and came stepping on the white beard. Then the New Year’s Eve in the theater is ahead of schedule, with constant laughter, like watching fireworks blooming in front of the room on New Year’s Eve, everyone’s faces are filled with joy from the bottom of their hearts, and everyone’s eyes reflect the hope that things in front of them can be more expressive. Light. Every time I make an appearance, I am playing cool, every action is pretending to be forced, and every line is like reading R&B. That suit reminds me of the mainland series "Feng Shen Bang" 20 years ago.
This is also the reason why I have always resisted watching movies where stars gather after my artistic outlook has matured. China and Hollywood have the opposite style. The worse the film, the more stars. If "Confucius" weren't for Chow Yun-fat's face in the media every day, would you want to watch it? How many people bought tickets for "The Founding of a Country" for the stars? It's ridiculous to appreciate mainstream movies in China, which always represents star-chasing, lively pictures, and boobs.
Far away, not far away. Look at the cast on the poster of "Su Qier". Michelle Yeoh, who is seriously out of season, and Guo Xiaodong, who has failed to act as a literary boy ("Warm", "Summer Palace"), can't hide. There must be her Zhou Xun in any film, and our new comedian Jay Chou.
Yuan Heping is very unqualified in grasping the narrative rhythm. After Su Can’s downfall, the part of practicing boxing with the god of war is too procrastinated. The human-shen field itself has the characteristics of imagery. It should be taken in one game, but it has been expanded into several games. It is boring and boring. Similar, I don't know if it is to show off the martial arts skill. Su Can's method of killing Yuan Lie was more cruel than the ruthless Yuan Lie, he actually tore off the iron armor inlaid in the skin. When I saw this, I really thought that the film was about to end soon. I didn’t expect to have a gorgeous ending that was so gorgeous that modern streetscapes would use the city’s overhead shots to take long shots. I learned completely from "Huo Yuanjia" and came to Zhuang people by competing with foreigners. Awe-inspiring, as if it did not perform this way, the audience would complain about the lack of theme or educational significance and no sense of satisfaction after leaving their seats. When Su Qier defeated the strong foreign man with the drunken fist he just learned the night before, with a few lines of subtitles and a few enlightening pictures of Chinese painting style, the film suddenly ended.
There are a lot of emotional scenes in the film, but they are all very contrived. Zhou Xun has been able to interpret the role requirements of the wife of any historical celebrity with a regular and beautiful face. When I jumped into the Hukou Waterfall to rescue Su Can, my face was absolutely and cold. I was not moved at all. I only guessed that she was very temperamental and watery. Living in seclusion in the woods for several years, his wife brewing wine, her husband practicing martial arts, occasionally looking at each other affectionately, and then hugs, everything is to make up the profound microblog weights and elements of this film, after the test of life and death, return to the ordinary essence, love Lack of imagination, love repeats the common customs of all commercial films. Chan Su and Yuan columns are focusing duel, Guikulanghao the next peak child crying "father," cried many times, I left the young man blurted impromptu audience comments, "This child is bothersome damn!"
Look on "watercress" in In film critics, no matter how many angry Lei Min left a message and shouted, they always added the sentence "Martial arts is not bad". On this issue, I have to be at odds with the masses. I always think Yuan Heping, an old guy, is the person who can abuse kung fu most. His choreographed movements are like acrobatics, fancy, superficial, and without physical beauty. He is very unwise to describe to Hollywood the essence of Chinese culture that deserves to be promoted. The martial arts design in "Su Qier" is still good, there is nothing exaggerated, anti-natural flying without gravity, it looks like a punch to the flesh, not so much for the excellent arrangement, it is better to thank for the "pap bang bang" attack Playing sound effects is the main bluffing method of Hong Kong movies. Zhang Yimou is a master of aesthetics. His three martial arts films, the imperial martial artist, are Cheng Xiaodong. The style is elegant, romantic and beautiful. I agree with him.
Also, it is necessary to accommodate the status quo of "110 minutes of feature film with only 20 minutes of 3D images" with Chinese characteristics. Yes, it is known as "the pioneering work of martial arts history" and "three-dimensional drunken boxing". Putting on and taking off the special glasses, if I was not afraid that the mites on the bridge of the viewer's nose left on the edge of the glasses would be too dirty, I would not wear them anymore. If you can't make full 3D, why only do it for 20 minutes? Why should we try our best to promote this trendy, advancing features and selling points?
Mei Linmao's music is okay.
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