It stands to reason that "Su Qier" should be a purely action-winning movie that can evade politics and doesn't touch the big theme, but the director should let it start a boring approach at the end. Such a doorway is undesirable.
The story of "Nunichoke"
ranges from "Jianghu", "Huo Yuanjia" to "The Murderer", and I have long heard of the name of the beautiful screenwriter Du Zhilang. I have seen "Su Qier" and I admire the "five bodies to the ground and worship." Endless". She accurately continued her screenwriting line, not only succeeded in getting Su Qi'er "feared by Huo Yuanjia", but also adopted the extremely rare dichotomy method. The story was out of touch, and the story went all the way, completely out of touch and completely out of control.
I remember that when the subtitle was published at the beginning, a buddy in the back row couldn't help but marvel at it. It turned out to be the chapter body, now he has crossed to Quentin's side. It turned out that a long period of time passed-so long that it made people think that the movie was about to end, the big villain was overturned, and the damned were all dead. The successive violent fights were about to rush the audience or suffocate the audience. , The movie suddenly jumped out to another chapter, inserted inexplicably, marched inexplicably, and ended unreasonably.
According to traditional Hong Kong movies, 90% of the movies will end after Su Can's revenge. After all, one person was lost, the bad guys died, the actions were completed, and the tragedy was in place. The remaining 9% of the movies will have a situation where the bad guys can't die at once or die, and "Su Qier" serves as an unprecedented example, it also abruptly joins an irrelevant scene. Su Can's loss of love, depression, did not know how to walk to the North Country, did not care about the growth of his son.
If I remember correctly, this is a very rare screenwriting technique in the past five or even ten years, challenging the audience's quality and super collage technique. This two-stage style is not equal before and after, the scenes are uneven (killing enemies and fighting foreigners), the characters are unrelated (the god of war and Ma Qingfeng who sneak into the night with the wind), and the temporal and spatial pattern is chaotic (from the Yellow River to the Yangtze River, from the South to the Heilongjiang). The latter paragraph is entirely for the service of Huo Yuanjia. No, Su Qi'er, because of the hoarse voice that sounds like a mandarin in dialect on the Tiananmen Gate: The Chinese stood up. Mountains whistle tsunami, physical fitness, martial arts to save the country, adultery to death.
This kind of screenwriter's intention, without any dexterous design, pure physical work is too hard. Because justice is not enough to overwhelm the evil, this will make Su Can still Su Can, not a beggar guy. In order to make him a beggar, at least it must be relevant. The film gives a far-fetched reason, that is, someone must die, causing the good old man Su Can to be heartbroken, and then there is the pair of beggars, father and son mingling in the street market. As for fighting foreigners to relieve their anger, the one-to-three setting is that the drunk is not interested in drinking. Everyone can see that the drunk has a name (rather than street dance, even fights are turned into fighting dances). The last thing that shines is the golden sign of patriotism, so majestic.
How did the masters make the
characters in this movie have weak emotions, like Yuan Lie's completely hopeless metamorphosis, Su Can's behavior of loving his wife and children is even more commonplace. The plot moves towards the most routine mode. The protagonist suffers a head-on attack, only to be stronger when he meets the strongest, he can get an epiphany and comprehend it from nothing, and the old movie comes back completely without any surprises at all. However, "Su Qier" played the banner of Yuan Heping's "No. 1 Wuzhi in the World", and the film is purely played, and it is not useless. At the beginning, Su Can ushered in a fierce battle. In the middle, he fought with others, was beaten by Yuan Lie, and beat himself, lived in seclusion, and practiced for many years. From a waste to a god, he finally ushered in a duel with the big villain. The movie focuses on precipitous situations and places where tigers and dragons are flying, and the deep well where there are more poisonous snakes is the arena where the arena was later hit, and there are beasts haunting below, it can be seen that there has been hard work.
During the rescue of Baylor, the audience immediately entered the scene. This movie is about playing, and the others can laugh and laugh, and it is not too much to sleep. Su Can led his team to climb the rock straight up, and fall down into the abyss, so there is no forbidden to make any mistakes. This elite squad has a strong fight and cooperation, a cover and a strong attack, bow and arrow concealed weapons, big swords and sharp edges, and a complete range of weapons. The battle is dazzling and quite enjoyable.
Su Can PK Yuan Lie for the first time, first brought two dishes, one male and one female, yin and yang reconciled. The design of the weapon that can be changed freely is very eye-opening, but after all, it belongs to a small-level figure, and he retreats after a fight. Yuan Lie and Su Can fell into the trap by himself, and both of them came for revenge. After a reckless battle between you and me, the Five Poison Evil Art made its first appearance, and it was really evil to the bones. Yuan Lie, who has been practicing for five years, got what he wanted, dominated his nephew, and used psychological torture from time to time.
Soon Su Can also realized the true meaning of martial arts. He lurked for five years and became a grandson. With the help of the White-Eyed Martial God, his skill has improved by leaps and bounds. After going down the mountain, he was murderous and killed the Admiral's Mansion without leaving it, which was extremely exaggerated and unreasonable. As for Yuan Lie, who dealt with scorpions, spiders, venomous snakes all day, he didn't have the help of experts and genius doctors, how could he imagine the realm of the other side. Needless to say, he was killed quickly, and he died very happy.
3D is not the last word
"Su Qier" is known as the first 3D martial arts film, but it turns out that this is more of a gimmick. Twenty minutes was originally not too much, and it was broken into multiple fragments to use it. These fights, which were claimed to be the finale, would not affect the overall situation. After all, everyone knew that Su Qi'er would not die. With the stunning benchmark of "Avatar" in 3D production, Hollywood imitators complained. "Su Qier" can only be said to be a test of water without knowing the depth, shouting loudly, after all, it is not the first to play the slogan of real 3D. In the middle, Su Can exclaimed to the Valkyrie, "I have never met a master like you", and it made people laugh.
In the 3D scene, the characters and scenes are separated and fall off from the front and back. The characters are too small, the background is too big, disproportionate and fictitious, and what's more terrible is that the movie has been switching back and forth between 2D and 3D, distinguishing between true and false, and revealing its shortcomings. I don't know if it is due to the screening version or a common film development problem. "Su Qier" is very dark. If you wear 3D glasses, your eyes will become even more black. Although from the perspective of the story, the distorted scenes exist in the imagination and can be rounded up with Zen enlightenment, but the color style and the computer setting really don't match the whole film.
Compared with the flashy 3D fights, I think that peeling the bark and popping the wine bottle are the two more wonderful montage cuts in the film. This evil taste derived from imagination comes from the pinching eggs of "Eagle Claw Iron Cloth" back then. The film is the martial arts instructor made by Yuan Heping. Yuan Lie's black gold armor, which was connected by flesh and blood, actually got such a bloody end, it was really retribution. Su Can heard his son shout, Feishen gave the foreigner a heavy punch on his temple, the bottle burst, the foreigner's eyes were bloody, and he fell to the ground unconscious.
To be a man, he must accept his fate, and do what he has the ability to do. Even if I go back to the action scenes, the pleasure that "Su Qier" brings to me is definitely not from 3D, but from fist fights and cold weapon handoffs that are specially shot at a good angle. The tradition of action movies is not 3D, and it will not be in the future. I think in the short term, everyone will understand this truth. Everyone is 3D, it doesn't make sense. 【NetEase】
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