Yuan Heping is a good martial artist, but not necessarily a good director. His action design is unique in Chinese and foreign film circles. When filming "Su Qier", Oliver Stone came to visit the class, and the old David Carradine (the star of Yuan Heping and Ren Wuzhi's "Kill Bill") joined the guest appearance, but Ba Ye can design the actual combat scene with punches to the flesh, but it is difficult for this memorization to knock the hearts of the audience. The smoothness of the story is not because the director’s narrative ability is strong, but the story is simple enough and old-fashioned, and it is the simple and old-fashioned kind that looks through the autumn water at a glance. The so-called family hatred and national hatred are just foreplay. Yuan Heping also knew what the audience was doing to cheer for his movie, so he used the most unpretentious way to tell the most responsible story. The film has many flaws, mainly in the way of characterization and emotional paving. of.
The character Su Can has experienced two ups and downs in the film, but it did not give people enough shock and aftertaste. The key problem is that the strength of this process is not enough, and it feels that every time it is suddenly under the circumstances of insufficient external stimulation. I got an erection and forced an orgasm somehow. Zhao Wenzhuo's acting skills have regressed very badly, and can only rely on QQ expressions to act, so this character can only be established by two fulcrums. The first is Su Can’s wife, played by Zhou Xun. In such a movie, Zhou Xun’s acting skills are too outstanding, with tolerance, bursts, gentleness, and perseverance. The first half is precisely because of her well-defined performance. The story is convincing enough. The second is Su Can's son. This kid's surprise is equivalent to punctuation marks in the second half of the film, and they are all exclamation marks! With Xiao Su’s cry or exclamation or wailing, the choreographer kept reminding the audience that you should be moved here, you should be nervous here, and you should be excited here... It’s just a full text of exclamation points, although it looks very It is dazzling, but it also makes people feel a little uncomfortable. After hearing that the child has become a noise maker, in the end when Xiao Su wakes up Lao Su who has fallen on the ring, I want to jump up and say for Zhao Wenzhuo. One sentence: "Don't shout, I'll just get up!"
Also, I can't help mentioning the big-name dragon suits. An actor who plays all the characters as himself is not suitable for being an actor. Jay Chou’s recent works seem to be shot to prove this point, and Yuan Heping is very strange. There are Liu Jialiang and Michelle Yeoh who can play soy sauce. , And let Dong Chou and Guo Xiaodong, who have no skill, play their ugliness, how do they match? I was bewildered by Yan Ni's stunning glance. I didn't know that Yan Ni was a copycat until the final subtitles came out. If this film was filmed after "Three Shots", the footage would not be so economical, would it? If you want to see Feng Xiaogang going abroad, be careful not to leave the scene as soon as the ending subtitles come out. Director Feng is actually an Easter egg.
The biggest problem of the film lies in the structure. It is okay to imitate "Huo Yuanjia", but this two-stage plot with no preface and no postscript is too awkward. The audience who killed An Zhijie had already come to a climax. They were ready to go to sleep. You were still there to change your position and continue to mutter. Only then did you know that it was just premature ejaculation. There was a climax, but there was no pleasure of being substituted at all.
Speaking of Ba Ye’s old line, the action design of "Su Qier" is quite satisfactory, and the strength in terms of fists and feet is also real, but there are too many 3D martial arts scenes that have been hyped before. Two 3D, Su Can and Wu Shen The peak duel is still sensible, after all, the three-dimensional picture of you and me on the steep wall makes me feel a little dizzy. But in the later life-and-death battle between Su Can and Yuan Lie, the imbalance of the ratio of the reference objects in the small space and the penetration of the depth of field movement made it difficult for me to enter the play, but it weakened the original appeal. Then there is the last drunken fist, which lacks the elegant humor of the original Drunken Eight Immortals, but the bloody murderous inviting people to death is a bit unsuitable for children.
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