Against this background, Nicholas Tse has embarked on his own career path. This seemingly high-start but dangerously pervasive path of performing arts is a shining avenue of stars in the eyes of others, but in his own eyes. A long journey of fighting against intrigue and condemnation alone.
Regarding Nicholas Tse’s growth over the years, you can learn from Baidu Encyclopedia. I will not elaborate. Nicholas Tse, who has always had a preference for music, has never given up on his dream of being in the shadows, and his stardom has been uneven. The bad movies and bad characters have been taken one after another, but this is understandable. Everyone is like this. Huang Qiusheng’s old acting skills are gradually honed by the experience of supporting roles again and again. Now looking back, Nicholas Tse’s movie journey It can be roughly divided into three stages.
The first stage probably started from the "Young and Dangerous Boys Fighting" in 1998. The main films include "Special Police New Man", "Half Cigarette", "Downstream", "My Barbarian Classmate" and so on. Nicholas Tse in here, mostly plays the role of punks or shabby social youths and policemen. Many roles seem to be specially designed for them. They don't need too much acting skills. You only need to wear long hair and wear ruffian clothes to be handsome. At that stage, Nicholas Tse’s acting career was dominated by music, and the movie was only a supplement. It can be easily seen that his acting skills are young and the crying scene is very fake... Nicholas Tse is not a born actor, lacks talent, unlike Huang Bo. Even without professional training, you can be full of drama.
The second stage probably started with "The New Police Story". As Xie Xian’s best friend, Jackie Chan’s support of Nicholas Tse is of course very important. In this movie, Nicholas Tse also played a small bastard, but no longer It's just a superficial show of handsome, how to put his acting skills aside first, his professionalism began to appear in this film, the ending scene of a scene sliding down from a skyscraper, he was almost suffocated by a rope during the filming. It seems that Jackie Chan The impact on it is not only acting, but also playing for life.
I have always stubbornly believed that it is not so much acting as acting as life. Only by constantly improving self-experience and practice can the way of acting be gradually enriched, and the acting can be more devoted and free from distracting thoughts. I believe that the experience of 2002 gave Nicholas Tse a growth we could never imagine. Since then, we have been delighted to see Nicholas Tse's new changes from the inside out. The brave brave kid has disappeared, and replaced by still going forward courageously but even more. The mature and generous Nicholas Tse, at this time, he needs to take up not only his own future, but also more important family.
In the subsequent "Jade Goddess of Mercy", "The Promise" and "The Great Sage of Emotions", Nicholas Tse began to completely subvert his previous roles and began to create characters with different personalities. The Wuhuan in "The Promise" is here. The only definite character in the movie, Nicholas Tse’s feminine and contradictory psychological portrayal can be described as sluggish, while at the same time handsome and handsome, although traces of “acting” can still be seen, but compared with the previous ones, it has improved too much. These films gradually Let the audience accept the "actor" Nicholas Tse, but also let the discerning media and film critics start to admire him.
After that is the most important third stage. After getting married, Nicholas Tse has shouldered heavier responsibilities. The boy has become a man in the past, and he has to start working hard for milk powder. The rugged path of acting or it can be said that the road of life has been overcome by Nicholas Tse time and time again. And forgive me, "The True Colors of a Man" and "The Witness" are the two best films of Nicholas Tse so far. Whether it is the mature and natural portrayal of a small policeman in the play or the crazy desperate performance, it is enough to see that Nicholas Tse is forcing himself. People are forced to break through the determination of oneself. Nicholas Tse puts himself in a desperate situation, constantly testing his psychological and physical limits, proving his other value besides blood, and the image of Desperate Saburo. It is deeply rooted in the hearts of the people, applause and praise are everywhere, and it has become a frequent visitor to the award ceremony. Nicholas Tse has a very good positioning of himself. He does not have the heroic temperament of Zhou Yunfa, does not have the skill of Yen Zidan, and does not have the aura of the drama like Zhang Zhen. He has to put himself in a relatively low position, and the careful audience can pay attention to it. Nicholas Tse was always beaten the most in the movie, but he used to feel itchy when he was beaten. Now he can feel the pain suffered by the man in the play firsthand. This is Nicholas Tse's progress.
As the highlight of this year’s domestic New Year film, I am very happy to see Nicholas Tse in "October Besieged City". You must know that such a movie that brings together old dramas such as Hu Jun, Liang Jiahui, and Wang Xueqi is a very test of acting skills. Yes, and Nicholas Tse did not disappoint everyone's expectations and completed the task perfectly. In this movie, Nicholas Tse can be said to completely abandon his previous handsome image, preferring to let himself wear a cosmetic film without removing makeup for three consecutive days, playing the role of a young coachman who is close to "facial paralysis".
In Hong Kong at the end of Qing Dynasty and the beginning of the Republic of China, where feudal ideas were strong, society was turbulent, and the people were stubborn, the existence of Chaman Ah Si was like a ray of pure white sunlight in the dark night, shining hard, his sincere heart and clear and innocent. The smile infected everyone present. Nicholas Tse continued his little character drama. A Si is an ordinary boy in his early 20s with a simple dream of reading. He has a crush on the beautiful girl in the photo studio, Ah Chun, who has done his best to the owner and sincerely loyal to his partners. At the moment when he got the opportunity to study, and successfully won the heart of Ah Chunfang and succeeded in raising a marriage, the "revolution" arrived, and he had no hesitation in making his thin body stand on the front line of the revolution, maybe he still can't He understands the great significance behind this "revolution", but for him, "revolution" is to protect his master, even if it is exchanged with his life.
In this movie, Nicholas Tse's role of Ah Si brings us not to be overjoyed and compassionate. He is simple, he does not know how to work, he does not have the eloquence of generosity, and he does not have lofty ideals, but he still makes many people remember deeply. Living. The touch was the smile from his heart when he looked at Ah Chun who was limping, it was the love letter he wrote to Ah Chun in the few Chinese characters he knew, and it was he who tied the clothes to the tricycle. Shi's determination is his heart-piercing when he finally entangled the enemy. The power of "love" is powerful. Even if Ah Si died in the end, this powerful infectious force still exists. This is not just the character of Ah Si. The success is also the success of Nicholas Tse.
"October Besieged City" is even better than I expected. The literary play is rare and wonderful. It is not at all procrastinating. It introduces the background and personality of each character very appropriately. It is like a process of drawing a bow, gradually In the process of rattling, the climax is on the verge of triggering. The next 60 minutes of fighting can be said to be full of punches, making people’s nerves always in a tight state. The demise of each character is enough to give us a long-term shock, even when Brother Chun died. Zeng sincerely hoped that she could be resurrected in place...In this age of profiteering, there are very few people who act hard and film hard. I respect those who are still insisting. Such a minority is most worthy of our praise and praise.
This is a film review that is not a film review. It is used to express my affirmation of Nicholas Tse's films over the years.
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