Unrestrained sentimentality, lack of necessary emotional building but very deep relationship between characters, irrelevant details of making arrangements for the memory of the city (such as the blind man who became the director of the city planning bureau, all kinds of understatement neighbors), and even Morricone's soundtrack is at a loss and tepid, always remaining on a melody that doesn't come to climax.
As for the background of the era of more than half a century, as deliberately as in "Old Port True Story", the American soldiers' landing, defeat, economic recession, and mafia are just plug-ins that are not very relevant to the life of the characters. Tell you that It's 19XX. The protagonist is just Mr. Lao Zuo's Sicilian comrade in "Old Port True Story".
To put it harshly, Tonadore’s memories of this city are nothing but the fly that the protagonist had in the top when he was a child, buzzing boredly, but not spitting up, until the top was broken, and the memory flew with the fly. Got out.
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