In fact, because of the relationship between these epic films, we have felt cordial to the history of Italy in the last century in this work.
But why is this? Is it the difficulty of the Italian nation that caused their sense of history? I asked on a small note.
In any case, the subject matter of "Baaria" led to the heavyweight of the film.
All narrative writers always use the greatest strength in explaining their own work. Wang Xiaobo said.
"Baaria" also showed me this power.
This kind of power is very calm, not too strong. Compare with Bertolucci's "1900".
This kind of power is also beautiful, lighter and more detached. Compare "I remember thinking about the year".
The poetry exuded in the work is even better.
The residents of Baaria Town seem to be living just outside the entrance of the theater. day to day. When I went out, there was a gust of wind, and I wanted to say hello to them.
When I returned to my hometown, my grandma pointed to all the houses and told the story of each of them.
all the same.
At the end, life is like a dream, with a flick of a finger, and memory.
If the weight is lifted lightly, the whole film is as good as it is.
It's another movie carnival. A strange door.
I have always felt that Lao Tuo's reputation is "destroyed" in "good-looking and fun."
It is also "destroyed" because it is too transparent, too naive, too heavy, too approachable, and too easy to make Yu Ji and Yu Ping feel "good bully".
It's always unfair, but when you think about it, it's ridiculous. What does it matter?
This is a matter of mind.
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