master’s debut is quite childlike (it doesn’t feel like a debut), but the demeanor of a generation of masters is vaguely reflected in this short film of less than 50 minutes. Ta's work, this should be the easiest work for the master to understand
. The friendship between a child who learns the violin and a worker seems simple, but you can find a lot of things when you taste it carefully. The violin is the spiritual world (some think It represents the bourgeoisie, and the road roller is material (you can also think of it as the working class). Can the two really sit side by side? Sashua is an innocent child who can be regarded as the incarnation of idealism, and idealism will always be Unrecognized by reality, differences in class and economic status have killed idealism. The only equality that can be achieved is the ideal equality and communication in the image. There are too many resistances and gaps, and each has its own. This kind of friendship is like a flash in the pan in the world of human beings. In the vast inner universe of mankind, love, friendship, ideals and anger, all emotional fluctuations are only small. In future works, the tower digs these elements deeper and deeper. It's suffocating. The role of father has always been missing in the film, and the appearance of workers can be said to have deliberately replaced the role of father. From their dialogue, words and deeds, I feel that father and son love is stronger than friendship, and material is the spiritual father? Maybe, I can't guess. Ta's works focus on exploring the human heart, deep and introspective. For the evolution of the human soul, it is no different from an apocalypse. Nietzsche’s existentialism and Dostoevsky’s melancholic discovery of humanity have always given Tasman a lot of attention. Big impact; what is a blockbuster? ? This is the real blockbuster! !
Pensive at the desk again thinking about what a movie is. . .
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