I have watched it for many years, but many scenes are vividly vivid:
the turkey who threatened the underworld with a knife; the turkey who
spit out his tongue and frantically chopped meat with double knives;
after being rejected by the stars, he was sad and angry, and then left his life to save him. The lover's turkey. . .
Looking at the urban petty bourgeoisie Karen Mok, it seems that they are two extremes that are completely out of tune. Such an effect can appear. I am very curious about Karen Mok's training for the role during shooting.
In fact, the whole film is really nonsensical, full of absurd and irrational twists, but I still love this film because of this incredible Karen Mok.
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