My admiration for all those who make people get pimples in laughter is like the water of the Yangtze River.
Kubrick’s work is rich in philosophical anthropology and sociology, so the black is even better. As the only director who has lost his nationality, Kusturica always reveals his strong root-seeking thought in his works. I was born in such a country (Yugoslavia), where hope, laughter, and joy of life are stronger than anywhere else in the world—and evil is also true—so you either do evil or suffer.” “Once upon a time, there was a The country is called Yugoslavia..." This kind of root search not only includes his nostalgia for the country of birth, but also the evil exposure of the country that no longer exists. This kind of contradiction is common in his film works. Anyone who knows KUKA’s works knows that apart from the debut novels "Do you remember Dolly Bell" and "Arizona Sleepwalking", much of the discussion is inseparable from the blackness of people's behavior under the shadow of the socialist big brother in Yugoslavia. absurd. Even when telling about his band's documentary "Balkan Punk", you will still see his strong homesickness, and the lyrics are full of helpless mockery of the world: "Since NATO bombed the bridge, it can only be transported by ferry, Yugoslavia It’s a country that’s not on time. We had to take a boat to cross the river. When the breeze blew and the light rain fell, I took out the accordion to pass the time and pretended that I was living a beautiful and happy life."
When I saw "Underground" for the first time, I was indescribably surprised. When a huge isolated island was floating in the vast ocean, people sang and danced on it, and lived a happy life since then. The symbolic meaning is self-explanatory, and I have no tears of begging. It popped out all at once. Looking at "Song of the Wanderers" again, the ending of the Christ cross is like an improper Adou. The movie is fixed at the moment it collapses. The symbolic meaning is self-evident, and my tears of not begging for three minutes have not stopped for three minutes. Look at his comedy "Black Cat and White Cat" again. The pig that ate the car is no longer inconceivable. Civilization is so vulnerable. A pig can tear the high-tech civilization developed by Kua Century to pieces, because of its The symbolic meaning is self-explanatory. I knelt for tears. When I saw "Dad Going on a Business Trip", my son Mick also walked to the top of the tree by sleepwalking during the day. He turned around and smiled at the camera. Its symbolic meaning Still self-explanatory. I don't fucking stain cat urine anymore.
Observing the world from the perspective of children, you can discover many problems that adults cannot. "Aspect of Novels" emphasizes that you may wish to use a subjective perspective when writing. Foucault's personal experience of homosexuality cannot be said to be just for obtaining alternative feelings. It is just that when orthodox themes and orthodox characters have always been deeply explored, he stands in the position of marginal figures from another angle. Storytelling is naturally more attractive. Of course, whether the story can be told well is another matter. Most of the people in the middle are just that little mess. They go to get off work and go to work, go shopping for dinner, talk about a deadly love, roll over in bed with sweat, and finally there is a striking wreath next to the tomb, sitting on the treasure land of filial piety and children bought out of feng shui, these can be counted. What's up! The selection of marginal characters, I personally tend to be more extreme, such as children, prostitutes, and mental patients. Although a lot of this kind of subject matter has been excavated, compared with the traditional, the excavation of the marginal state is far from enough, especially in domestic literature and art. In a country where the proliferation of services of the opposite sex has long become an open secret, it is rare to face the red like Jin Ji-de. Homosexuality everywhere in the country can be seen in the house and can be publicized on the table. Once it is said, it is almost all made irresponsible.
Suddenly I think of several other movies that observe and describe the world from a child's perspective. Iranian movies are famous for their children's themes. "Little Shoes" is unpretentious, just like the realistic style of the Italian movie "The Biker". It's like removing all adverbs from the text, leaving only the subject-predicate-object structure, which is simple and clean but deeply rooted in the hearts of the people. The same is true of "The Turtle Will Fly". Yang Dechang's "Yi Yi", Xiao Yi Tian really thought that by taking pictures of the back of people's heads, the world could see them fully and truthfully. How many people call to live so busy and tired, I often think with good intentions, how many components are job requirements and have to be busy, and how many components are for shrewd calculations, secretly intrigue with people, or just It's a rhetoric. The German film "The Tin Drum" is based on the novel of the same name. I have browsed part of the novel because it involves too much political elements and I have no patience to see the bottom. The film downplays politics, which is just what I want. I was caught from the beginning to the end by that kind of alternative perspective. Grasping firmly with the Kagekaze, the dwarf grandfather hides under the grandmother's wide skirt and starts with the grandmother away from the crowds roasting fragrant potatoes under the vast sky. In the middle, it was sad and desolate. Every time Oscar, who refused to grow up, beats the tin drum is an accusation of the embarrassing civilization of mankind.
It’s strange that many things we can pay attention to in this country are restricted to the allowed categories. There is a castrated version and a tampered version at every turn, which makes things at a glance confusing and confusing. It seems that we are not surprised in this situation. Just as Mick’s father was convicted of a sentence in the movie, the more terrifying is like Joseph K in Kafka’s trial. The arrest is meaningless.
Gome’s poem describes it well, “We are the bricks of any age/surrounding a column of gods/fluttering, wings locked by chains”.
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