The beginning of the film is a scene of a man cutting his finger, as if this film is a high-tech film, which requires fingerprint identification or something, until later did I discover the purpose of this thumb. Indeed, the suspense left by this flashback technique was so wonderful that I switched back after changing the channel and found that Barrick's fingers were intact. This suspense made me continue watching.
It is not until the kidnapper sends the finger that the story really begins. Although the following scenes are some old routines that often appear in other movies, the more appropriate arrangements are still amazing. The entire film has a large investment of mini, and the ubiquitous mini is also a highlight of the entire film.
In the whole film, the seemingly idiot Barkley at the end is said to be the mastermind of the entire kidnapping case. It feels a bit sudden, although this will make the film have a stunning ending, but because the transition is not enough And some loopholes in the plot, making this ending seem abrupt.
The final death of the kidnapper also completely sealed the final open ending of the film. It seems that the director is too lazy to shoot a sequel, or he pays more attention to the protagonist and his father’s romantic life. It is estimated that if he wants to shoot, he will directly become body art... ···············
the beginning of the plain, abrupt ending, some suspense in the process - evaluation of a film.
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