It takes a broad sense of sentiment to control the surname of Wan in a "world". In my impression, Hou Xiaoxian's "Dongdong's Holiday" is almost comparable, but Ozu is actually different. If Ozu does not focus on telling stories, "The Taste of Tea" can be regarded as not trying to tell stories. From the perspective of practical healing, "The Taste of Tea" has added a lot of jokes and Kitano-style cross talks. The non-economic editing dispels our desire to weave stories from it, but when dealing with love and death, it is Do not avoid the compassion, the perspective of the observer makes this compassion even more indifferent. Can enter but can come out, and don't fall into the air, come and go freely like the day and the clouds, and are unwilling to be caught and guessed by you. If the world is as straight as a movie, it is only if.
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