Based on this, it is not difficult to conclude that this is a horror film. So, let us see why this horror is so pale: the
hasty plot schedule is over, the
whole movie is over, and the most obvious details of the beginning of the movie: the new school, the sloppy punk roommate, the supplies of life The shortage of, a professional course, weekend church worship, new boyfriend, missing person notice, mysterious follower, all these quickly passed by on the eve of the first night Anji became a nanny. The best example of this kind of haste is the deepening of Anji's relationship with her boyfriend (friend). There is no problem with chance encounters, but the obvious boyfriend seems to have an unthinking presumption of success in the process of pursuing Anji. So, this rush makes us obviously feel that the director is making another hero or victim for us. That's right, the film climax—if we can call it the climax—we discovered that the boyfriend really became another victim.
Such hasty plots can be seen everywhere, we are like helpless bystanders, because this time we can’t be the parties at all, because our eyes are always forced to be forced to the next necessary or unnecessary by the director’s time list. Suggest to go up.
Foreshadowing and mysticism In
movies, certain scenes are often used to suggest the direction of the audience's story, which is either misleading or positive. However, if a movie is intended to imply too much useful or useless information in the story, once the ending of the story presents us with an ingenious answer, then this is a disappointing movie, even sometimes It will make people lose their appetite.
The boots of the police sheriff, the mysterious and terrifying priest, the frozen meat in the blood-drenched refrigerator, and Sam’s denim clothes, the silent priest, the silent nanny, and the silent sam who each like to play cool are decisive misunderstandings caused by the asymmetry of information. Catholicism, the memorial cupboard of skull candles, the unmanned phone with only music echoing, the hungry sam... all this is to make us not dare to witness a human anatomy directly. The answer of the film is also fully revealed by a slaughter "demon" who claims to want to talk in a ridiculous tone with a comic color. The director was afraid that we did not understand the murderer’s purpose, and interspersed several episodes of the murderer’s emotional expressions. In the end, this emotional murderer missed his great time for slaughter because he was always obsessed with large sections of confession. The evil was once again lost. Suppressed. Perhaps we will not forget
the bluntness at the end of the cycle
because of the despair of losing her body in the eyes of the dying grandmother in "Master Key". We can be completely tainted by this powerlessness and let out a silent sigh.
However, when this little devil (that is, the devil’s son sam) put on a neat school uniform and covered his head with a hat that conceals the devil’s unique horns, I think this movie can become my follow-up to "Death Live" in 2009. Another "bad" movie after an uncreative remake. Not every ending of "Evil Will Still Exist" makes one's heart trembling, at least not in this one.
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