except for the thriller genre that shows off the end of the reversal,
not all of this or that.
There are more works, and there are many similar themes. Many stories are actually repetitive. No matter how novel themes are, the audience can find the shadow of other works.
So watching a movie is not about the story itself,
but about how the director tells the story and how the actors act out the story. Quentin counts as one who
can tell a cliché story that is vivid
and
colorful . With his bad taste and flashing sense, Martin Sixses uses a lot of narration and strong stylization. Movies that make good use of narration are irresistible).
Of course there are the Coen brothers, whose humor and spoof are unmatched.
And Christopher Nolan, whose way of telling stories, made from experimental stylized editing (Following, MEMENTO, Insomnia), has gradually become an irreplaceable Hollywood blockbuster producer (Dark Knight).
There are also Gary, Spielberg, David Fincher, Fernando, Johnnie To, Jiang Wen, Park Chan-wook, and so on, countless.
Those master storytellers tell cliché stories well,
sometimes solemn, sometimes sharp, sometimes hilarious, and sometimes full of wisdom.
Unlike vulgar directors, even if they use superb stars, they can't make a movie. Directors who can tell stories can make a classic with non-professional actors.
Watching a good movie is a kind of enjoyment, and
watching a good comic is also a kind of enjoyment.
Japan is a big country of manga and the world's top manga industry. The audience of each manga is very clear. The diversity of themes and the number of works are not comparable to those of the American manga supported by a few heroes.
But when American comics were adapted into movies through Hollywood funds and operations, while this MAN and other MAN swept the world, it is difficult for the good stories of Japanese comics to be adapted into good movies.
For example, GTO, Army Chicken, Maelstrom, Death Note, Battle Royale, Kui! Heavenly Soldier High School, City Hunter, Koga Ninja Stickers, and the upcoming Dragon Ball (although this is Hollywood, but this seems to be the problem. The trailer is good enough to go down in history)...
a great comic adaptation After becoming a movie, it is always disappointing.
The novelty and impact of the subject matter and content of the comics are favored by the film industry, but important roles are often discarded (for reasons that are too exaggerated), and the expressive methods of comics are either completely abandoned and meaningless, or It was completely used (Quei! Heavenly Soldier High School) and failed.
The embarrassment of the failure of the manga adaptation of the film has continued,
but Xia Wife Monogatari finally gives people a great surprise.
After the Story of Xia Wife, the comic-based movie is no longer just an "adaptation",
but has risen to the height of a comic-style movie.
The extremely bright audio-visual experience of this film advertises the identity of a comic-style movie,
while the sense and talented editing and performance techniques are based on each of the comics and the film.
When the beginning is changed from animation to realism, the heroine’s narration sounds. The screen has already attracted attention when it turned to the Rococo era,
and the jokes in the form of advertising are also very
popular. The parental jokes and growth experiences in the form of documentary chronicles are also full of fun.
In addition to the exaggerated protagonists, the vegetable sellers , The store manager, the runaways, the runaway girls, etc. and their distinctive comic-style characters are also valuable.
Freedom and freedom of editing and narration are the top priority,
with exaggerations and spoofs but not vulgar,
unrealistic characters are full of charm, and
simple stories are full of tension.
The ultimate goal is to grasp this scale very accurately.
Although I have never read the original novels/comics (supposedly girly comics, I am not interested in such subjects at all),
and I am not sure whether it is comics or movies,
but the movie- watching experience is far more interesting than comics. The subject matter is interesting.
Comic film adaptations no longer need popular scenes and action scenes to realize the image of comics as a selling point,
cute, full, click-to-click image language, take the length of the comics, use the lens to speak a comic without high cost But it can achieve a state where high costs are prohibitive.
What the audience needs is such a movie,
let the vulgar and mentally retarded manga-adapted movies disappear.
In the future, there will be many Japanese manga to be adapted into movies,
and the story of the second wife will show the standard of a manga-style movie to the latecomers.
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