I know some of Iijima Ai’s life experience. In her sensational semi-autobiographical novel "Platonic Sex", she does not hesitate to talk about her unbearable past: she was beaten up by her father when she was young, and she eloped with her boyfriend when she was 13 years old. Unexpectedly, he was an addict. After his boyfriend was arrested, he asked his boyfriend's friend for help, and was raped the first night he stayed with him. Falling in love with a man is a cowboy. He also uses Iijima Ai's body to make money and help himself out of the sea of suffering. Suicide twice, but suicide failed... Years of professional career left a lot of scars: back tingling, kidney dysfunction, urinary tingling, as well as AIDS and depression.
Her life of being insulted and damaged is so similar to the pine nut who was despised throughout her life! I love love and the world all my life, but I am abandoned by love and the world all my life. After writing "I'm sorry, I was born as a human" and died sadly. Even more strikingly similar is that both of them have Daddy Issues. Cai Kangyong mentioned in the book that he asked Ai Iijima at the time: "You hate your dad so much, but you want to see him again. Isn't it contradictory?" Ai Iijima replied in Japanese honorifics, "Teacher, Life is originally made up of contradictions." Songzi has not been loved by his father since he was a child, but desperately wants to win his father a smile. If their lives are a series of injuries caused by men, then the first men to cause harm are their fathers.
So, are their lives the burial objects of the patriarchal society? To a certain extent this is true. The groaning groans in the Japanese AV are all for men to consume as a commodity. After the bodies of those women have been drooled by countless Japanese, Chinese, and Korean uncles, it is hard to say that there is still a little bit of dignity. In the world of seeing and being watched, peeping and being spied, coveting and being coveted, they are always being watched, spied and coveted. In the real world, they become prey to men who regard their feelings as supremacy, and regard their interests and rationality as supremacy because of their natural weakness. They are reduced to a realistic version of Wang Jiazhi: Ai Iijima knew that the last male prostitute boyfriend used herself. What kind of sadness it is to use the body to earn money to maintain the relationship even more vigorously!
To blame this completely on the patriarchal society, we also risk "simplification". In "Sex Workers Decameron", what is shocking is the oppression among the oppressed: ducks insult chickens, chickens insult ducks, mothers insult chickens, chickens insult each other, and transgender people Zuer disintegrated the image of a traditional "oppressor" of men. When the family cried out "They forced me to behave well" and "I want to protest that they deprived me of the right to be a chicken", the shouts of intellectuals fighting for the rights of chickens became a kind of narcissistic wishful thinking, and their vigorous "father" The sluggish rhetoric such as "right society" and "sex workers" became an embarrassing voice drifting in the air, a fist with nowhere to fall. Reality is always richer than theory. Women are always hurt by men, but women are always inseparable from men and their love.
Like a pine nut, I would rather be deceived thousands of times and be despised thousands of times than be lonely every second!
And how can a man be separated from a woman. In Su Tong's "Red Pink", even in the red China that is determined to eradicate prostitutes, a criminal form of class oppression, the prostitutes still maintain a simple belief: men can't live without us.
What can we say about this? In addition to asking women to respect and love themselves, and have a more conscious and independent personality consciousness (I seriously question the ending of the film, trying to virginize the pine nuts sacrificed for men, what is the intention?!), we also require relative occupation of this society Men in a dominant position, give the disadvantaged women their heartfelt respect, don't look at stars like Shu Qi (that's definitely their helpless choice. Besides, why is society's tolerance for Ren Dahua far lower than that of Shu Qi?) , Don’t say "Look how dirty this bitch is!" to the female actress after using AV to solve his physiological needs
.
And to Ai-kun Iijima in the real world, and Matsuko-kun in the world of light and shadow, I want to say a word to you. I hope there is no one hurting you in the kingdom of heaven, and I hope you can find the warmth in the kingdom that you haven't found in the world.
It's a timely emotion that is definitely not a film review.
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