The old woman Eloïse appeared in the window, amid the faint sound of the piano, the camera moved in the empty room, and the [summer time] of Assayas began to impress me at this moment. After Frédéric and his wife left, the mother's vase lit up quietly in the museum window. As the other gift, Eloïse carefully took it away that day, thinking it was just an ordinary vase for the mother before his death.
The appearance of Juliette Binoche and Jérémie Rénier is naturally bright, but only bright. The only thing he had to say was a very brief conversation with his mother for the pair of children he had decided, and then his brother Charles Berling had no choice but to agree to the decision to sell the house. After the mother died, they went their separate ways.
From the moment the children ran into the picture in the woods, one could feel the strong breath of French movies. I also like the feeling when the scene goes dark afterwards. Until Sylvie shuttled back and forth in the last old house in summer, the young figure gradually filled the screen.
It is the end of summer and the continuation of life.
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