These two island countries are either living in the protracted torture of the earthquake or the long-term depression submerged in dense fog. If the movie work that comes out is not focused on smashing with oneself, it will bring other innocent people to the back.
Coincidentally, Doomsday (the last generation of the decisive battle) caused a hell on earth because several disgusting elements in the government issued the virus in Scotland. In 2077, Yamato Heavy Steel, which was locked in Japan, was even more frenzied by scientists who devoted the entire nation to biochemical research.
These are two damn films, no matter how prominent their screenwriters were in the past, this is their failure.
One failure is to ignore the supervisory role of the social system, no matter how prominent or irreplaceable the position of those people is. Before opening any plan, someone will know that they completely ignore the basic capabilities of modern media.
The second failure is the ignorance of nature's self-healing ability. Even if Scotland is completely closed, Japan is full of corpses. 10 years or 30 years later, unmanned cities will be the wilderness. If it collapses, it will collapse. The grass is absolutely long. Even if it is full of mechanical beasts, there will be mechanical beast nemesis. The law of natural recovery, whoever can conquer the sky is a lie.
The third failure is to ignore that people are a member of society. In the play, the Scottish people are left with two races: the cannibals who seem to stay in modern society and the castle tribes who regressed to the Middle Ages.
In the past 30 years, cannibals have nothing to do except driving motorcycles for fun, watching beautiful women on steel pipes, and eating outsiders for fun. No one asks themselves where the gasoline (Scotland does not produce oil, even if it is produced, no one will produce it), where is the power source (the electricity used in the rock and roll scene can not be handled by an electric box.), where does it come from? The foreigners in China (there have been a few in 30 years), they do not have children themselves, (there is no child inside, is there a special organization for childbirth), they don’t eat so many cows, they just want to eat people .
And even if the castle clan regressed back, it would be impossible to produce a knightly duel, and cultural awareness regressed. It was impossible to happen.
Looking at Japan again, in only 10 years, the entire island has been razed to the ground, the effect of the earthquake is completely gone, and the volcanoes have been eaten up. This is already impossible. Next, even if only the scientist is left, what he eats and what he uses. His society has been annihilated, and Japan is still in a state of lockdown. He wants to import an apple from overseas. It is estimated that he will also ask Saito for help. If Saito knew that he was still a flesh and blood, it would be strange if he didn't hang him over the corpse. .
Taking a ten thousand step back, if a good movie can't stand the scrutiny of its rationality and does not exist, everything in it will be worthless.
These are two bad films, one is an image film made with the support of the automobile industry, and the other is a pretentious and deep film made by myself and myself. No one is worth watching.
Nothing is worth seeing.
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