This combination then created a hopeless romance.
But to speak of it, romance does not refer to love, but the entire fantasy journey. Love is only an incidental product in it.
The official position of the cavalry colonel was bought by his mother, and it was not completely unmatched with what happened in this era.
The failure of the rebellion was betrayed by a childhood partner and fled, and it can almost happen in modern times.
Then the next step is the beginning of this fantasy journey.
When fleeing, he was treated as a poisoner and forced to wander on the roof with a cat. This kind of thing is completely impossible in this era, because everyone is comparing it to building higher houses, whether in big cities or small towns.
The house is their mount, and the world below is either a corpse or a crazy crowd. It happens from time to time, but now everyone pretends very well, even if you are outside, you can't tell.
Major disasters can always make people mentally disordered, but animals seem to become more intelligent than people. Perhaps the fact is that the intelligence of animals has always been relatively stable, but unlike humans, it has been cyclically fluctuating like a sine function. The comparison is made in this way. People change. So people are not mentioned here.
Not to mention the cat. The cat went on the roof because the owner was dead and lonely. When someone went on the roof, it followed up. When the person came down, it also came down. In fact, it was crazy with the people under the roof. The crazy situation doesn't make much difference.
Compared to cats, I might like those crows better. Normally, they would certainly not rush into human territory so blatantly, but now they are hovering like fish in the sky above the city—a place higher than the roof, sometimes fish enter, in and out of human buildings, and Feeding on the original homeowner, sternly overwhelming guests. Although it is a horrible scene, it is also a kind of wildness and wildness that is desirable.
The cavalry colonel met a doctor on the road, and he learned a way to save people from the doctor, which is to rub the body of the dying person desperately. He and the doctor did this in an attempt to save a person. did not succeed.
However, the cavalry colonel learned a trick from the doctor, washing his hands with alcohol, and then lighting the fire to let the flame envelope his hands. The visual effect was very good. With a wave of your hand, the fire will be extinguished immediately, completely harmless and sterilizing. Later he played with the countess.
Then the doctor became ill. He tore open the doctor's clothes and rubbed his body desperately. Still a failure example. But finally gained some experience.
Finally the colonel deserter met the young countess, the owner of the house where he and the cat came down from the roof. Since then, I have been waiting for the countess's illness.
The countess lived alone in the house. Upon waking up, the light cavalry on the roof found that the countess had disappeared long ago. But on the road later, they met again. It turned out that the Countess was going to find her Lord Earl, so the cavalry colonel suggested that they should go with her.
During the time when the countess was separated and met, another person became ill, the childhood companion who betrayed the cavalry colonel. The cavalry colonel still tore off his opponent's clothes and rubbed himself. Still hung up.
After some tossing, the countess seemed to have a chemical reaction to the cavalry colonel, and the cavalry colonel came down from her roof and fell in love with her. Before the more violent chemical reaction occurred, the countess began to become ill.
The cavalry colonel felt that we should change the way we saved people in the past. He began to tear the clothes from the countess's lower body and began to rub her thighs desperately. Or does he think that men and women must be treated differently? Anyway, in the next shot, the dead-faced countess was naked.
The cavalry colonel began to rub the Countess's body frantically with alcohol, but he didn't have any desire. If there was desire, it was also a desire for the other party to survive. Because this time it was done with enough horsepower and overload, the countess was rescued. Unexpected plot.
Unexpectedly, he actually helped her find Lord Earl.
He and her began to communicate intermittently, but because of the end of this fantasy journey, the movie ended here, nothing more.
I have watched the movie "Love in the Time of Cholera" based on the novel of García Márquez before. It is also a story from the plague years. It is a little later than "The Hussar on the Roof". If "The House" is romantic In other words, "Huo" reveals a black taste of absurdism, and is full of Latin style.
Then, looking back, SARS has been in the past five years, although everyone has played the anti-SARS charity film "1:99 Movie Action" as early as that year, and some other minor dramas were also in the same year. I have made no less than ten films, but if the Chinese make another SARS movie, it is probably still a serious subject and singing humanity, right? There are corpses on the ground, can't it be serious?
It's not that entertainment is bad, but if you react to a fact so rigidly, it would be strange if it can be deeply rooted in people's hearts. In any case, a work should give it a distinctive style. Otherwise the dead thing is the dead thing.
The Thais had filmed a zombie movie called "SARS War" in 2004, perhaps because they were far away from the epidemic area and became entertaining. I don't expect Chinese people to be entertained, and the pain is still very close to many people. How long can five years be considered? But at the same time, five years is a long time for some people. Now how many people have blurred that matter?
So I think it is necessary to make some SARS movies from time to time to remind the existence of that period of time, but not quantity but quality, not to mention the kind of serious yawning or vulgar plot that makes people wipe out for no reason. Tearful.
It's important to look at something from a different perspective in a different way of thinking. Of course, I don't expect to be able to toss something like "Love Story in the SARS Period" or "Heavy Cavalry on the Roof", which is not realistic. At least it can change a little bit. For example, if you want to make a SARS movie that reflects human nature, you don't have to choose the theme of praising the noble human nature. Like the Japanese drama "White Tower", if it can show the confrontation between human nature, then it is the highest state.
While entertaining, you can remember that such things have happened. It is not a forced memory, but it can be warned from time to time.
This year, earthquakes and tsunamis have occurred. What kind of natural and man-made disasters will not happen, or will they make a comeback?
Taking history as a mirror, taking history as a mirror, it is always beautiful in words, but even a great Tangshan earthquake did not sound any alarm, and all disasters have passed and people have forgotten it. Don’t ask the government to conduct a nationwide exercise like the Japanese do (after all, they are compelled because Japan will sink at every turn), but at least they should discuss with geologists to see where geological disasters occur frequently. District, so that the people there can learn some knowledge of disaster relief and self-rescue since childhood.
The nineteenth century was less than two hundred years ago, and the world now has no atmosphere at all.
Of course, the other reason is that the chaos of that era is important, so there are so many stories. And what passion can there be in this harmonious age.
http://www.mtime.com/my/motionfever/blog/1307748/
View more about The Horseman on the Roof reviews
