After watching the big shows that appeared in it, it was really like what he said "either feeling repulsed or exhilarated". In the later period, the heaviness in his works became deeper and deeper, and the word "emotional" was not penetrated by him. A lot of western media's evaluations of him appeared in the middle, and "bad boy" is probably the word with the highest frequency. Bad boy, bad boy is him in the early and mid-term, a creative and expressive artist. In the later period, he was thin and no longer risked his vitality as before, and became more and more like a designer.
But he still extracts the works bestowed on him by his soul from his own pain, the obvious changes, from the straightforward pain of rape on the plateau to the silent grief of Ms. Youlan. It seems that every artist is always like this, filled with more and more sorrows but less and less straightforward expressions, more and more reserved and introverted, but one can always see from his works a bit of bitterness, loneliness and even helplessness. See To the contradictions in their hearts, to see his struggles, to see them trying to reconcile themselves. If black, death, and impact are the first feelings of many of his works, but in general. I always feel Lee's care for trauma, the former is the style and the latter is the core. After reading it, you will probably understand why so many people love him.
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