Kusturica’s most direct one, except for sleepwalking, hardly uses any magic or circus elements, no animals, no dancing (but with an accordion), no harlequins, all naked patience and dullness to deal with Unspeakable power, everyone is crushed and lives together staggeringly.
It resembles the bell of the little hero of Takeshi Kitano. The elder brother put a bell on his sleepwalking big toe. When I went to the renovation camp to visit my dad, the bell rang frantically to prevent my parents from having sex. The first time a little girl I liked was carried into an ambulance with a bell.
Because it didn't dilute the reality with absurd tricks, and because it was too similar to the director's autobiography, this one was especially sad.
But the ending point is the sight of sleepwalking. what. As far as you know, there is always a way to survive.
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