The first time I saw Rurouni Kenshin was probably two or three years ago. Back then, I felt that the movie was very well made, and the plot was free, but it was very good. I watched three of them in one go. Later, I went to see the OVA of Remembrance, and it was very shocking. The works of 99 years, from the perspective of 20 years later, the art style is also unique. As a result, I felt that the snow scene in the first episode of "The Blade of Ghost Slayer" was not tasteful.
My obsession was to be able to watch this movie in a movie theater. A few years ago, I thought I would not make a sequel to the Great Fire in Kyoto. I didn’t expect that there would be a sequel. Knowing that it is impossible to introduce. I later realized that Jianxin was the "executioner" in the historical reform. Most of the people who came to seek his revenge were the enemies who had killed too many people in the past. According to the timeline of the work, I am now talking about Jianxin's journey of atonement. And Jianxin's painful struggle back then was given to "Remembrance". I kind of like this setting, it's quite novel, and I have never looked at this group of historical changes from this perspective. There shouldn't be such heavy historical works in Shonen Manga now. I sigh once again that all the popular Shonen Manga in Japan are still taking their roots, and there is no innovation.
Speaking of the movie itself, the recognized manga ceiling is really worthy of its name. Now many live-action manga in District 11 are really too scary. The stylists are all engraving the two-dimensional model 1:1. Can you see it? The entire screen is full of colorful hair to kill Matt, what a sense of reality. In fact, Jianxin’s appearance is also very restored, especially in this "Human Zhu Chapter", with all kinds of strange villains. I really think that Japanese performances rely on faith. Many abnormal people assume that they are acting hard, so It seems to be real. This movie is a good balance between the sense of reality and the two-dimensional sense of pretense, and the second soul of people is burning.
Of course, the most commendable part of this movie is the martial arts scene. Japanese action movies should not be well-known, and I have not seen many. I heard that the martial arts instructor is from the Zhen family class. Now Jackie Chan and Donnie Yen still have many veteran Hong Kong brands. The martial arts instructor team has the feeling that they are shining in the film industry in various places. Some people in the film review said that this movie has a lot of playing in the water. I can't tell this. I think the action design of each character has a distinct personal style, which is already not easy. I have to compliment Sato Takeshi and Nitta Makensuke’s performances. So many sugar films are really good at shooting, and Nitta’s Yukidai is also very charming. To be more precise, his tendon is very fleshy. charm.
The first appearance of Jianxin in "Human Punishment" was the big outdoor sun. At the moment when the sun was exposed to the sun, I felt that the sugar was really old, but fortunately, there was no similar light behind, and the beauty of sugar can still continue. lick. On the contrary, it has become a lot more beautiful, and many people say that when watching the barrage, it feels like a village girl has evolved into a pretty girl. In this chapter, there is finally a female character who can play. It is gratifying to congratulate, and there is a close-up shot that is really cool. The overall plot is that the old-fashioned heroes save the beauty. It’s okay if you don’t cut the memories. A flashback in the movie reminds me of the previous movies that seem to be on the way to save Xun, just like the Conan theatrical version saves Xiaolan every year. 11 District may have any obsession with this kind of plot. In the middle, all the characters who have played before are pulled out and strolled around, and it feels like a family love. The last line in the movie is Jianxin's "goodbye" to Xuedaiba, as if to say goodbye to the audience. If this is the last part of the series, it will be a perfect ending. I like this feeling of interplay and interplay. .
I want to make complaints. Jianxin is a swordsman. He was shot by machine guns every time. Before the final battle, there was a fight that I even felt was too similar to the first one. One of the big shortcomings of this series is that the inner portrayal of the characters is very weak, the literary play is relatively poor, the characters are a bit like tool people, Jianxin and Xun have no sense of cp, and it is even difficult to understand the entanglement of Jianxin. Most of the time It's just to put a shot of Kenshin silent/sentimental.
Let's shoot some other stories for this team, it shouldn't be ugly.
View more about Rurouni Kenshin: Final Chapter Part I - The Final reviews
