On the second day of dark circles, French director Le Conte's "Mr. Yell". Generally speaking, the characteristics of this film type are still very obvious. In short, it is Hitchcock of the nationalization of law (four tones). There are several passages that are very similar to "Rear Window", and they are basically the same as running out and scheduling. In terms of color, contrast colors are used a lot, and it feels particularly leady. Especially the soundtrack is very magical, repeating a theme many times is both elegant and stinging. There are two ways to score the soundtrack, one is that it fits the theme so that people cannot feel the existence of the soundtrack, the other is that it is used as a tool, which makes people remember the soundtrack and forget the specific plot. The film obviously belongs to the latter. The clothes, props, and scenery are the highlights of the film. The clothes of Chinese men and women are so elegant when they are worn out by others (four tones), and the bottles and cans of the furniture are so particular. Even people with a Mediterranean hairstyle and an old perverted personality (not discriminatory, just perverted relative to normal) look not so disgusting. The performances of the two leading actors are also very good. Michelle Brown played such an annoying role so gracefully and affectionately. Bonnell’s performance also showed the "boring waves" and PUA techniques very thoroughly. It is said (four tones) that the country is the country of romance, and Paris is the capital of romance. It seems that people are crowded and things are slow is the core essence of French romance. Can tell the story of the chapter-style novel titled "The little lady loves the spider web, the old pervert can't escape PUA" into what "Mr. Yi'er" is now. I can only say-French, too French.
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