First of all, there are two beautiful shots in the film. One is Xiao Zan in the swimming pool full of fruits, and the other is the two big Europeans in the periscope. They are on the two front sights, showing us what is called symmetrical composition. . There are still many animals appearing on the scene. The most impressive are the cats with enough sausages, the neutered cows, the plucked chickens, and even the hummingbirds. Many props are designed in the style of KUKA: the bed that pops up when you pick up the alarm clock, the physical sleeping pills, the ubiquitous traps, and the movable pulley of the clock. Finally, these props also played an important role. Although the film is not a carnival from beginning to end, it is full of various imaginative and funny plots such as peeing spotlights, pistols, and trapeze. It makes people laugh from the beginning to the end. It is another carnival. The countryside represented by Xiao Zan and grandpa is quiet, harmonious and indisputable. The urban violence and pornography represented by Bayu is full of desire and ambition, which conveys Director KUKA’s reflection on urban civilization. Xiaozan promised his grandpa to marry a bride, and promised Asuna to marry her, so he became stronger and defeated the bad guys. But Bayu betrayed his promise, so he was punished and castrated. Keeping promises is the best quality of mankind. Only by keeping promises can we reap love and affection. Otherwise, we will be punished by the world.
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