Watching "Emergency Rescue" and "Proxima Centauri" on the same day, Lin Chaoxian's masculinity was dazzling to the point that his eyes pierced, while Alice's delicate and feminine look was like sitting on pins and needles from time to time. The two works of different styles aroused inexplicable thoughts. Emmanuel: Are these two "themes" of the East and the West?
"Emergency Rescue" is of course unquestionable, the screen editing and special effects are "walking into the new era", and the dedication in it is still the traditional one; the romantic and free nature of "Proxima Centauri" is in its bones, and the emphasis on and reshaping of self-worth All are far beyond the shackles of professionalism, and the plot of the daughter of the secret meeting over the wall finally has no "professional ethics" at all. Secular etiquette and political correctness have to give way. It seems that I am as suspicious as a Russian instructor in the space center: female aerospace Does the greatness of a member stem from maternal love and willfulness?
How to deal with the "menstruation" problem has revealed the "difficulties" of female astronauts. Even though the ex-husband and social organizations have helped them take care of young girls as much as possible, the situation of single mothers in Western welfare society is still embarrassing; innocent children Regardless of skin color and language, what is needed is the time of fun accompanied. Professional women will basically encounter the soul torture of "mothers do not count." Of course, the children in the film and television works will eventually grow up and understand. Unfortunately, Lin Chaoxian’s over-correcting treatment makes the little boy like a robot whose program never goes wrong. Alice makes people want to yell "Why are you so ignorant?" A few bluffs. It's just that astronauts are different from other high-risk occupations after all. Even if Europe is used to jointly executing space missions generally lacks a sense of national honor, starting from the high cost of the aerospace industry and training astronauts, and the dignity of the lives of peers, shouldn't it be so reckless? What's more, the end of the film still pays tribute to the great female astronauts in history?
Of course, this is only for me under traditional education. "If it is for freedom, both can be thrown away" is the philosophy that the West has upheld for thousands of years; returning to the movie itself, Alice’s shots are gloomy and matched by Ryu Sakamoto. Yi’s music blessing can precisely convey Eva Green’s inner struggle and anxiety to the audience in a gentle way. Several shower scenes have a sense of presence that will burst at any time, and they have to face the unknown loneliness and fear. I am afraid that this will create greater pressure on women with delicate and sensitive emotions. Perhaps female directors can better capture these subtle emotional fluctuations, and also bring the best annotations to the "brave" of the last maternal love. For her Nothing is more precious and dazzling than love for her daughter.
As for the men who are courteous or show offensive faces, who care?
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