The 16th #法罗岛电影节# will bring you "My Mother" on the first screening day of the main competition unit. Below, please see the female directors who seem to be beautiful on the front line and disseminate their evaluations of the reality dilemma!
The heart is a lonely hunter:
There is no memory point.
Mozart Lensu:
Understandable, but untouchable.
Prometheus:
The male partner who played the bad actors robbed the show throughout the entire process and even destroyed the film's sense of simplicity.
George:
It's very pure, and a movie made with experience is just right and memorable.
Cangshan ancient well air to the moon:
Like the low-profile version of "Eight and a half", the work and life of the female director are a bit streamlined and fragmented, and the filming and life are not well organically combined, which is sympathetic.
RyanRyqn:
As an inheritance of Italian neo-realism, the film did not capture the essence of realism. Instead, it was an indiscriminate sentimentality. Although Nanni was a direct director of Cannes, he was lazy this time.
Fruit trees:
The script level is still advanced, and the meanings of various levels are mapped to each other, there are ordinary life and life's ups and downs. But Moretti's image style did not play a role this time.
Ball candy:
In the end, there is no hysteria, but a very real mother-daughter love can be felt. However, the overall details are not appropriate. The effect of the two-line narrative is not as good as choosing one side to focus on. There is no need for the actor's line to be too much inked.
Poem to Adelin:
As Tuo said, thoughtful thinking will deprive people of their will and action, and the fine design of the nesting of the people in the play and the game is inherently strong and weak, but it seems to be only in Molletti's completely undefended position. Only when you think about it, emotions can be sincere.
Polaris.J:
There is a small middle-age crisis for women, and the mother has to work when she is critically ill. I am really anxious. This is still a middle-class... Italian is really like a temper tantrum. It's one of the few Italian films that feel comfortable... The whole film still feels a little mediocre. The name is my mother, but more of the scenes on the set are presented, just to show the sadness of life and the difficulty of the director?
I know her a little bit:
Vagueness may be the biggest fatal injury of this movie. Nanni Moretti wanted to say everything but didn’t seem to understand anything. The large and sensational soundtrack made the originally vague structure chaotic, but the expression was personal. It's still moving-it all depends on the affectionate power of the actors, but this is not "My Director", nor "My Actor", but "My Mother".
Full of Zhao+:
In fact, there are not many "mother" elements. The mother is more like a tool person to bring out the protagonist's "incompetent fury" alone. Even at the end, a few words as a teacher are even more touching. The actor's perception of the world is a prerequisite for a good role, and a good life is a prerequisite for a good job. I hate the scene where the male protagonist takes the wine to the director's house to reconcile. The little cards that are made are really hard to make people feel warm.
No one at midnight:
I have a fairly precise grasp of the "fragility of life". The anxious set ecology and the tedious family chores are intertwined with each other, and the flooded bathroom can ignite the lead of emotional breakdown in an instant. It’s the kind of film that is simple in narrative and all-encompassing in temperament. It tells people and people, people and things, and people and the world that are not turbulent. It is worth studying in "Three Memories of Youth". . The mother’s illness is a catastrophe given by life, and the director’s creation can be analogous to the process of life gestation. At many moments, the boundary is blurred, and they become prisoners of war together.
RIVER:
As strong as me, I will still burst into tears when I can’t find an unfamiliar and familiar bill; as gentle as me, I will still get angry when you don’t care about your safety; as decent as me, I will still be willing to accompany you quietly and watch You spent an indecent night in the hospital. The pressure of life and work makes me breathless, and the long goodbye to you is also cruel and suffocating. There is no solution. I still can only use bad actors, and you will still leave me. The moment you left, I realized the true meaning of life, and learned to miss you, my mother, in my own way.
Pincent:
With such a concise and representative family situation, and with such a clear question of "what is a movie, what can a movie do", the director stepped back and stood by the role of the director in the film to examine the filmmaker’s views on the film, life, and film. The relationship with the reality of life, as a director, can you construct a virtual response to reality? As a director, can she understand herself and control everything? Moretti told us introspectively that it is not necessarily, but in the end it must be told on the set to lose the focus of life at this time. In addition to the circulation between psychological fantasy and reality, filming studios and family, at the same time, with the help of lines to throw out a "balance" composed of various double choices, shall we take the position of the workers or the police? Fully enter the role or bring something other than the actor itself (so the role of Barry is very important and contrasts with the protagonist)? Is it tragedy or positive energy/comedy? Grandma told us, "The important thing is sentence structure."
Hethang:
How to write the words "banal and boring" beautifully and confidently, this movie gives the perfect answer. The whole movie seems to engulf all aspects of the heroine. In an elegant atmosphere, from the troubles at work to the contradictions in the family, it seems to reflect a real and lively character through the involvement of every place. However, the fact is that the image of this big-name actor used in work is too awkward and makes people forget the existence of the protagonist; the narrative of the family is too dull and tasteless, and it is not until the end that it is suddenly used by others. Narrate some warm things, the rhythm is out of balance. The connection between these two aspects is even more blunt. In the slow rhythm, I can't feel the strength of life at all, but only the vulgar flow. Moreover, the movie's name is "My Mother", and I hardly feel any warmth from "Mother", whether it is on the heroine's mother or the heroine herself. Only Margarita Bouy's affectionate interpretation makes you realize that this is still a movie about certain "people".
#FIFF16# The first day of the main competition section will be released later, please wait and see.
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