The old problems of Polanski's movies, from the beginning to the end of the dialogue, this kind of film is very uncomfortable. Looking at the age between the two heroines, the difference was only 3 years old, and I wondered, "Yes is really a pig-killing knife?" Why did I kill only one, not the other. The analogy of "Ten Days in Crisis" to this film is just the image, not the real taste of the film. In fact, Polanski’s arrangement is that the female protagonist husband denies the existence of Eva Green’s best friend in the movie. In the middle of the plot, the librarian reprimands the female protagonist for putting the pigeons in school lectures. Wife in hallucinations".
The two main reasons for the collapse of the heroine are that one cannot conceive a fictional story, and the other is negative pressure from readers who hate her work. The latter did not explain whether the letters and negative reviews on the Internet were part of the illusion in the film, but the content of the negative reviews focused on her writing the book based on the true story of her own family. In fact, the audience could understand why the female wrote a fictitious new book. . The whole film actually does not explain what the dispute between the heroine's mother and the heroine is, and the plot of the heroine's mother's death. The center of these contradictions and knots originally needed to be understood with the help of the plot story of the filming, but it is strange that These are all omitted by Polanski’s dialogue. The audience can only talk to the two, telling the girlfriend about her mother’s passing experience, and the heroine dreaming that her mother threw her notebook out the window into the girlfriend’s original residence. The plot is self-understood, but these bits and pieces do not effectively mobilize me to guess the inside story. In fact, it is meaningless because there is no actual plot support to guess the hidden story. Also because of the factors such as divorce and childlessness of girlfriends, and the fact that the profession is a shadow writer, the relationship and similarity with the heroine’s past are actually very weak, which makes the material originally used to guess the dispute between the heroine and the mother very much like Polans. In order to pretend to emphasize the real existence of girlfriends, Ji made up valueless dialogues and settings.
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