I think we should be grateful to witness Park Chae-young’s first confession in the documentary.
Regarding her almost broken humming in the documentary, in the eyes of outsiders, it may not be called good at all, but for me, it is the most moving moment. In the narration, she said that she was like a baby, trying to speak with music. The original notes in the a key could be easily digested, but she sang shyly and awkwardly. Many people here will say that she can't let go, but that's not the case.
Let's go back to the clip where Meat showed off the chords we wrote. After Joe thought it was great, we took her into the recording studio and "forced" her to sing the melody in her heart. I use "to force" here to explain why the voice she sang after mustering the courage was so nervous.
We say that meat is very sensitive. This sensitivity is different from the sensitivity formed after contact with the outside world. Her sensitivity is constructed in the art world that she has plunged into since she was a child, and such people are often sensitive and fragile. Last time, I said that music is her utopia, and it is almost the largest or only vehicle for her to express herself. And when she was about to hum those melody, the humming of just ten seconds covered all her mood, hard work, sadness, anxiety and desire...It was so real and heartbreaking. That means she is opening her own heart, and this requires a lot of courage, so I said, her humming is very moving, because it is completely a sensitive person's immature temptation.
Fading the light on the stage, meat is too common in the documentary lens, but this ordinary person is an absolute commendation. Because her devotion to music and her attitude towards others are too plain and pure, she would be afraid to enter the recording studio because she did not express the state of music she recognized; she would tentatively ask for help from time to time when recording in front of the producer: this should What to do, because she feels that she is not doing well...
These are different from the confident and sharp-edged her we usually see on stage. These shots make us truly feel that she is a real person, just like our friends. She also doubts herself, feels scared, and hopes that her friends can give her answers when she is unable to judge. The shots of self-expression in a few minutes are too good-looking, how an ordinary person has gradually become the person who is now extremely shining under the chasing light of the stage. This kind of her has become extremely accessible again.
But why can we still describe her as an artist?
The difference between artists and most people is that they usually have amazing perception and can feel what most people often ignore. This is also very abstract concepts such as small animals often talked about by the meat club. It is not so much that she gets along well with small animals. , It is better to say that she has another understanding of the existence of small animals. When the artist's perception reaches a certain threshold, it is easy to be hurt by what she perceives, and it is easy to be healed.
Meat has entered the world of music since she was a child, and her sensitivity to what she thinks of the existence of art is based on the art world she has constructed. In the documentary, she said that there are not too many people in the recording studio. Her devout attitude towards music makes her very sensitive to music, and they are the beings that she accommodates into her world, thinks that she can express herself and get advice.
She is a very gentle person, she let music enter her world, so she believes that music is her energy source. The distance between Park Chae-young and the artist is no longer just literal.
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