It was originally an old movie, copied in rmvb format, and many shots have a broken gray. Densely mixed with the flavor of that era.
For a long time, the first movie I wanted was a comedy ending. Watching literary movies, listening to rock and roll reading, Floyd Sartre, on film and television language, watching the people around you rehabilitate, and start all over again. I can’t roll back and forth in my emotions and live and die. I believe that tragedy is the theme of this world. When I saw the end of the comedy, I felt that I was covered with thorns, I felt that it was false, I felt that it would cater to the public, how could there be so many sparrows that turned into a phoenix, how could Edward look at Vivienne? She looks the same as Song Dandan's disfigurement, Gao Xiumin being kicked by a donkey. Edward will let her get in the car. Can she still look at her?
The naked human nature is there, and what I would rather see is tragedy, which is far more real than comedy.
Why can't it be good? In Luo Yi's house, Mara's happiness is full of sadness. It should be the joy of despair. All of Luo Yi's goodness turned into a sugar-tempered knife, sweetening her, and cutting her alive. She talked again and again, she loved Luo Yi deeply, this love became her bomb here, her depression, her rose rash, stuck in her throat like a thorn, making her unable to move. No, I was born a prisoner of love.
When I watched it, I yelled over and over again in my heart, telling him, telling him. Or simply pretend that nothing happened. Forget it, forget it all. She is no longer the innocent and innocent girl who danced in ballet and smiled with a protective talisman. Life gave her too many practical problems. She wants to live, even if it is so difficult. She struggled, wearing a dark low-cut coat, smiling charmingly at every soldier who hurried by.
In the Ten Commandments, Kislovsky once said that people can never communicate with each other. Here again is fulfilled. If at that time, she could tell Luo Yi's mother when she mistakenly thought that Luo Yi had already died in the teahouse, everything would probably be different again. But she was only nervously convulsing, unable to say any coherent words, knowing that Sara abandoned the ballet stage for her life to become a street girl.
The test of love and the room for tolerance. Luo Yi was too successful and too prince charming. The handsome young man is bold and humorous and kind. When he met her at the train station, he rushed over with joy, because she was burdened with a secret that was hard to tell, she whimpered continuously and repeatedly shied away from her decision. But Luo Yi kept thinking about her again and again, did you have someone else? Is life too tired and wronged too much? Although Mara went back with him in the end, I couldn't help thinking about his tolerance. Without knowing it at all, where will his firm belief in her and his understanding of her fall back?
Although it is a romantic movie, there are actually quite a lot of humanity involved in the movie. For example, Sarah had a quarrel with the lady of the troupe for Mara at the beginning, but in fact, I have put up with your rhetoric for more than two years and pulled Mara away heroically. But when the two of them had only ten dollars left, they said that if the wife is now in front of me, no matter how to let go of her self-esteem, I will beg him.
Mara finally entered the ranks of prostitutes. It may not be that Sara's money is not enough to support the lives of the two people. But at this time, she must be the same as Sara. Perhaps, she also regards this as a comfort to Sara. Although, the wrinkles of the soul can never be smoothed.
When she saw the news of Luo Yi's death, Mara's sky really collapsed. She abandoned everything, even everything about her friends, but everything was over. When Luo Yi died, her life suddenly became unfounded, and the reality was set before her.
She knew the hardships and misfortunes of life. She said to Sara, I will only be good for you if I become Mrs. Roy. Sara is a great friend, and she thought she would stop after Roy and Mara reunited. Two people, especially when one suffers because of the other and changes their lives, often look down upon the other. In this way, your own efforts will appear ridiculous. Everyone was overjoyed, but I was like a fool. But Sarah still kept secrets for her at this time, watching her stay with the man like Prince Charming, she was alone.
This is not a literary film either. The inexplicable weakness of many people was not discussed.
But it's not a Korean drama either. The prince and princess did not live happily together in the end. Mara died on the bridge, only this is the best arrangement. She can never tell him the truth in person, gain understanding and happiness. Although this is good for everyone, but God, always hates happiness.
The reason why a classic becomes a classic always has its own reason.
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