There is no scene of war, but the harm that the war has caused to every individual is nakedly displayed, both psychologically and physically. The children in the school only learn two things: religious scriptures and instructions on how to use weapons. When faith and arms become the basic curriculum of the school, hatred and violence can grow unscrupulously, passed on from generation to generation, and there will be no peace. And these children go to school not for knowledge or future, but just for survival and fruitfulness. One of the boys used casual pronunciation to read the scriptures and was expelled by the teacher for ignorance. This mysterious boy became a guide and took the heroine Nafas to Kandahar to rescue his sister. The child's shrewdness and cold-blooded business in business made people shudder. When he calmly removed the ring from the human skeleton and planned to sell it to Narfas for one dollar, Nafas was so scared that he ran away. In this land, there are too many children like this boy who grow up savagely in this wild land, but they are not completely returned to the primitive, but gradually distorted under the driving force of primitive and capital. The second half of the film spent a lot of time showing the local people who had their arms and legs broken by landmines. They were helped by Western volunteer celestial bodies or humanitarian groups, and they were able to get the remains of prostheses, but the supply was always in short supply. So we saw the aircraft drop the prosthesis, and a group of legless people on crutches struggled and courageously rushed towards the slowly descending prosthesis. This slow motion picture was quite impactful. The film presents a feature film narrative in a very documentary-like presentation. The core storyline is Nafas’ journey to Kandahar to find her sister. She hides or fabricates her identity in order to reach the destination smoothly, always wearing a veil. A necessary dress for a married woman. This way, whether it is the war environment in Afghanistan or the humanistic outlook, etc., it is fully displayed, rough and true.
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