Think about what I watched today: Fatal Magic and this one. Nolan's editing feels like every step is well-designed, interlocking, and just right. And Dolan feels very headstrong. The same goes for scripts included. But the strange thing is that this Matisse and Maxim (I finally remembered the Chinese name after reading it) made my tears flash for a while. The rare thing is that it seems that the lyrical has some success, although It is often inexplicable to be followed by scripts and editing. These don't come from between the two young people, but I think he is too miserable, as if he can't get the place where he deserves love, but the place where he got it is unacceptable. This is troublesome. But the music is great, lively and full of change. In fact, I think the birthmark on that face (it should be a birthmark) is very beautiful, so I don’t know the erased scene in front of the mirror—maybe the lead actor as the director can’t really express himself too badly, so I designed this Makeup?
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