Flaming persimmons, green trees. The dying old man, the graceful young man. Ceylon loves his hometown deeply. He is not alone in filming. He has inherited the style of those great directors. At this moment, Abbas and Old Tower possess souls. The movie is not just a movie but turned into the director's thoughts and homesickness. The stories of "Small Town" and "Cocoon" continue to extend in the movie, while the stories of "Far Away" and "Wild Pear Tree" seem to be brewing. Several characters in the film represent children, young people, middle-aged and old people. They have become metaphors for our life in a way of intertextuality: when Ali was a child, he could work steadily and sincerely for the small goals of life, but when an accident happened, he Will also be angry, will fight back, will learn to deceive in the roundabout. By the age of Safet, Ali may encounter greater frustration in life, and will hold onto a vague hope in a daze. Perhaps Ali will achieve nothing at Muzhafi's age, but he also wants to live in good faith and fight for his ideals. By the age of Mudhafi's father, Ali may live well, but he may also awaken his passion for fighting in the face of new blows. Throughout our life, "frustration" runs through all the time, and nine out of ten unsatisfactory things. How to live a calm and optimistic life, how to live peacefully and transparently, is a lifetime career.
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