Watch the movie for two hours, think for a lifetime

Esta 2022-04-19 09:02:44

The open realist image is simple and calm, it is more like a prose or lyric poem without narrative, the use of off-screen space and the use of anti-plot follow Bazin's "movie ontology" idea, the character's motivation is non-existent or cloudless. Clearly, it is also an exploration of the propositions of "life" and "death". But it is different from Abbas' previous works: "Gone With the Wind" lacks the narrow space in the past, but uses a large amount of panoramic and large vistas.

Kacey 2022-04-22 07:01:48

The cycle repeats, day after day. When you go out, you will always meet the child, the child is always taking exams, the old couple in the tea shop is always making trouble, and when you return to the temporary residence, you will always see the woman raising the child across from you. I always get a call while shaving, I always have to drive to a high cemetery to get a signal, there is always a young man digging a hole next to the cemetery, and when I come back, I always look at the kid who is taking the exam at school. While waiting, I don't know how many days have passed, and it has always been daytime. Only when night falls for the first time, do you wait for the target you want to shoot, and the movie will come to an end immediately. In the scene, the object is often deliberately not included in the painting or delayed in revealing. From the perspective of the actual shooting angle, it actually saves the actor's training, and puts it in the plot to fit a sense of alienation and goodwill. The girl who lights the lamp and milks the milk in the dark does not want to say her name or show her face, but she also does not want to receive milk money. (marked #2300)