The 28-year-old Russian director Kontimir Barragov's "Tall" won a prestigious Best Director Award and Best Picture Award at the Cannes Film Festival last year.
The story describes the fall of the following year when the defense of Leningrad ended. Iya, who was used to wearing green sweaters and Martha, who was accustomed to wearing green sweaters and Martha, who liked to wear red shirts, spent time in the wounded hospital.
Iya is an anti-aircraft artillery. She suffered from sudden rigidity and was discharged early. We later discovered that in order to survive on the front lines, Martha, who served as a logistic supporter, had to sleep with different men constantly.
The collective apartment is so crowded, people still have to drink tea to make clothes. The chief came to inspect the hospital, and the patients were relieved to cooperate with the hospital and did not lodge any complaints about the war. On Christmas Eve, everyone eats herring, drinks, and dances a few dances.
Life is too difficult, life is too vicissitudes of life. However, everyone treats everything in life with sincerity. Finally, we will find that Iya, who everyone calls tall, has always been in love with Martha.
The biggest difference between Russian and French art films is that Russia will use stacking skirmishes, which makes people feel scared or reluctant when looking back. For the French, small incidents continue, and finally you will have a lingering voice.
Conflicts are Lego that can be combined pros and cons, and events are Napoleon cakes with distinct layers. Each combination of the former is very worrying, while the latter is coldly giving you a fatal blow at the end.
Seeing someone who has lived life into a solemn poem, one can't help but think of what I was doing when I was 28 years old?
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