The 13th #法罗岛电影节# The 9th screening day of the main competition unit will bring you "Silence Light". Below, we will bring you the evaluation of the frontline silent family as the sunrise and sunset continue to elapse!
Jeremy Sun:
The two long shots at the beginning and the end are amazing.
Pincent:
Pure and charming, using visual images to express miracles before pure faith.
Outisss:
The only thing I like the most about the whole movie and what attracts me the most is the picture and composition.
Bat Bats:
Since the silent sun is the starlight at night, why should the cheating be so poignant.
zzy granite:
Although the rhythm is dull, the lens is too beautiful. Sunrise and sunset, life disappears in silence and pain.
RIVER:
It's a boring film, but the image is still moving. A woman's tears are a magical touch, and the ending is cheap.
Fruit trees:
The picture is very ambitious, and it is very enjoyable to watch it with a large projection. But the overly refined image does not fit the core of the film.
O. Yin:
The long shots from the beginning to the end well subscribe the title of Silent Light. The photography and composition of the film are good, and the rest are hard to impress.
The Queen of the Faroe Island Empire:
"Words" ordinary movies, devout believers, forgiveness given by God. The lens is beautiful to every frame, but the catch is that the movie is too long.
We Min Hee:
In fact, it's not as good as "The Willows in the Dark". Although I may be more disgusted with that one, at least the attitude is always there. This one breaks the work as soon as it reaches the dialogue scene.
Little Love Songs of Paris:
There is no soundtrack, but the mood is more turbulent, and undercurrents are rising under the calm. As the line said: This is our last time, because peace is stronger than love.
Jeff Jiang:
The anamorphic lens and bold composition create unfamiliar images and strong audiovisual tension. Miracles do not only appear at the end. Death lying in the green leaves, teardrops solidified on the face, light spots in the wheat field, and car scenes comparable to "The Wilderness of the Night" are sacred moments of creativity everywhere. In fact, I scored four stars, but for the incomparable authorship, and the disgust of the horrible heroes of boring movies, I added one more star.
No one at midnight:
It took five minutes to shoot the sunrise at the beginning and five minutes to shoot the sunset at the end. The four characters "don't get close to strangers" basically run through the overall situation. Groups of long shots forcibly pile up the state of the characters, giving up the beta appeal of lamenting exquisiteness, beauty, and magnificence, seemingly shocked. The fierce undercurrent between emotion, secularity, and doctrine did not really form a sense of crevice that swallowed people. If this is also called poetic, it must be the final poem before the chapter of Ming and Qing novels.
The lover of the PS actor has a big Everest-level giant mountain-rooted nose of the same style as Wu Mu's. Such a humorous shape and the overall atmosphere of the movie are really incompatible with the overall atmosphere of the movie.
Full of Zhao+:
The moments of silence are not complete silence. The deepening background sounds aggravate anxiety, entanglement, loneliness, sadness and regret. I also had difficulty falling asleep late at night because of the ticking of the alarm clock and had to remove the battery. The light seems silent but can cut through the night and day, kisses and tears seem silent but they can exchange life. There are two things that make me unbearable. One is that many indoor and outdoor architectural decorations deliberately create symmetry. The picture taken by the camera is asymmetrical. There is an angle between the horizontal line and the horizontal line of the picture. After amplifying the background sound, the attention to the picture is increased. It is very uncomfortable to see this. . The other is that after switching between the close-range and the long-range images, the sound must be discontinuous, there are gaps, and it is very unbearable.
Bwheat19920313:
I have reasonable grounds to suspect that this film is the product of the same assembly line as "Exile Love". They are all such beautiful photography, but a thin and boring story can't hold up such a wonderful image at all. The photography of "Silence Light" is more majestic, giving people the illusion of watching Malick’s family epic. As a result, the real story begins to break immediately. The plot of this kind of dog-blooded story feels that the famous "Military" magazine is also lazy. That’s all. Are the brains of the couple, the hero and heroine, a bit abnormal? The one who is looking for cheating is uglier than his original partner, and the one who knows that the other party has cheated is still suppressing himself there. The director is really unscrupulous in order to make the plot "boring". In the end, the film can be understood as "Maleficent 3". I was so shocked that my jaw dropped. Even the magnificent sunrise and sunset that echoed from the beginning and the end could not save the stupidity of the whole film. The director should do it himself.
#FIFF13#DAY9's main competition score will be released for everyone later, please wait and see.
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