British director Nicholas Roig’s "Sexual Coma" (also translated as "Bad Timing" 1980), I actually watched it as early as the end of 2001. This time the disc dealer changed to a different cover. When I saw it, I immediately remembered . The charming Yumina left her husband who was 30 years older than her and met Linton, a professor of psychology, and the two began a close and close relationship.
It's just that Linton has never been able to bond with this slutty woman, but his attachment to the body is far from reaching the point of being able to bond with one another. If the soul can't give, then it can only follow one step at a time, and take one step at a time. The seemingly licentious Yumina is so attached to Linton that she does not hesitate to take medicine to induce Linton to value her, but things go against her wish, resulting in an irreversible tragedy.
The policeman played by Havel makes people exclaim that time is really a pig-killing knife. The young man is as if he is still dangling in "Poor Streets" and "Taxi Drivers". The beginning of the film means the end, and the flashback is to make the film more inspiring. The subsequent interlaced parallel narratives make the trance emotions, sex, and entanglements powerfully collide in Yumina's life-threatening time.
The film seems to tell people the truth: men and women are originally two kinds of creatures on this planet. The love of a man is fast in the storm, and it comes and goes fast. In the real love, the so-called three-part sex and seven-part love, care about women. It's still love.
Just as Yumina faced Linton's back in the film, worriedly saying "suddenly, silent, sad."
2015, 5, 21
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