1. It is a rare movie that does not have to be labeled with the same sex on the emotions of people. When the hot song in the car after the farewell party to Maxi, when it rains, the brothers rushed out of the room to collect clothes and then left. Moving to the scene where the two protagonists are passionately entangled by the window, and the brothers often get together to chat with Kandashan, isn't it the youth that you and I are all familiar with? Isn't it that you and I miss the sentimental memories?
2. Although he does not exclude same-sex movies, he particularly hates the air selling of same-sex movies. This is the same as selling feminist rights, which is essentially the same as the BS feminist routine. When Dolan was 30 years old, he learned how to speak the language of the lens. Restraint means that you have grown up;
Conflicts with his mother, brother, birthmarks on his face, and native family made him defensive in nature, and he can only let go of his tension in front of Matt, and this is precisely an excuse for Matt to build a fake siege by his side, so There will be a lot of shots from Maxi to the third person watching and then back. There will also be a lot of shots that focus on Matt first, then zoom out to focus out of the window, and then pull back the shots that are parked on Matt’s expression. The language of the lens is processed. I personally think it is quite mature. It's really not like a 30-year-old director's work. Dolan learned more thinking when he was here;
Two people are on the left side of the sofa and the other is on the right side of the sofa. The one on the left is cautious and pays due embarrassment for his previous mouthiness. On the right, Marx bounces his waist from the sofa socket three times and eats popcorn several times. Looking at Matt’s eyes in lace, and the details of Frank shaking his legs while playing games in the distance, it shows that Dolan has learned to use details to arouse the audience’s interest, making the characters more lovable and closer to life, especially like just finished arguing. The young couple in the frame are cautious and tentative when they reconcile as before, and the surrounding environment is comfortable and life-like.
3. The first climax was swimming in matt when I didn’t know where to swim and I wanted to calm down, and the second climax was when the two people gradually entered the state under the light of Zizilala accompanied by the sound of rumbling rain. The third When Duan Gaochao learned that Matt had deducted his recommendation letter on Maxi’s phone call, and at this time, I thought it could stop abruptly. I personally don’t like the end. It’s not necessary. Sometimes the most beautiful first love is that forever. Unfortunately not.
4. Let go of the obsession with the label of director's identity. Actually, he is really talented. The pace is slow, but fortunately, the water is long and flowing. It is an aftertaste and sweet surprise. From the age of 20 to 30, over 10 years, I have learned a lot and improved a lot, especially in the two aspects of the use of the lens and the lighting to enhance the emotions. Plus acting skills are much better than professional actors. The existence of the natural feeling right in front of you is an indelible boy.
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