Indian movies often have a sense of joy that stems from suffering, as well as the vitality that survives the catastrophe. Compared with Chinese works that discuss class differentiation, Indian subjects always have a glimmer of hope, while Chinese works always give people sadness and alertness and hopelessness. Probably the eternal hope brought by religion is also the basis for creating good works~
However, the Indian people are indeed happy and optimistic. Hahahaha, and the Chinese people do not have any visions for changing their own class and transcending contradictions. After all, if society is to maintain stability, mortgages must always be provided.
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