① A movie composed of fixed lenses in the car (again, a car) can eliminate the complexity of the lens language and increase the weight of the text, but it is not only the presentation of the text that can replace the image
②This time, Abbas aimed the camera at the city, which is a film caring for women.
③A gentle drama. The heroine flashes a character arc in the film. But I don’t think that Yaming is an absolute manifestation of male power. He is just a courting child to me. He doesn’t understand what is called "male power". He only wants to be loved, or learns to be true male faintly. Right men’s thinking comes to judge women, but these are not important, he just longs to be loved. The heroine is not absolutely suppressed in Yaming, and she is slowly learning to deal with the relationship with her son.
Look at the dialogue of 10:
Son: "I'm just a child, I can't belong to myself."
(Just what I want to say, Yaming is really a smart boy.)
Mom: "I never said that I would use my husband to replace your father."
Son: "This is very clear. You can speak without language."
(Abbas left a lot of blanks in the film. In this dialogue, we can fill in many imaginations and make different understandings. He gives the audience space and allows the audience to create a movie exclusively for him.)
Mother: "You are a naive child, you should love everyone."
(Really a selfish sentence, I think she may not be a good mother to some extent, or she will not handle this complicated relationship, but she loves her child. I don’t think this should be taken care of. The film is understood to be a purely feminist film, and the son is not a metaphor for the patriarchal ontology... But every work of art requires a different interpretation. "I think" is an expression of my point of view, and I don’t agree that it’s not forcing you to agree. The Hamlet I like, my thoughts are probably shit. Abbas’s blank is for you to fill in your thoughts.)
Mother: "This is a good way to divorce. The damn law in our society gives women no power at all! In order to divorce, a woman has to say that she was beaten, or that her husband is an addict!"
Mother: "Women have no right to live! Do women have to die to live? I have to yell when I want to, I have to say!"
Mother: "I want to shout, I'm like a weirdo."
(At this time, my mother is still yelling . The current social situation, the society's neglect and even contempt for women. Abbas is speaking for women.)
Regarding the mother's transformation, from yelling out of control, to wearing a black square at 5, to tenderly asking her son to kiss her.
④A headscarf worn by women. At 9 o'clock, my sister felt that it was hot when she was wrapped in a headscarf, so she fanned her neck with paper as a fan.
⑤ Natural and life-like performances.
⑥ Does Abbas think of women so that he sets up such female characters again and again in this film? I feel a little uncomfortable.
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