Middle-aged people who have lost their charm or losers in life in developed international countries come to third world countries to use their money and racial status to regain their sense of superiority and self-identity. Even if such a paradise can only maintain a short vacation, they Still happy to pursue and indulge in this illusory world of bliss, self-indulgence. Such things can be seen everywhere in Southeast Asia. One by one, bald middle-aged men lead sexy and enchanting local young women on the beach, night market, and bar street. In the places where tourists gather, all the street girls with heavy make-up are waiting on the street for prostitutes or looking for "love" gold masters. This is the paradise of developed countries' dios, and the sacred place of dream-making. In this film, Ulysse Seidel moved the story to the African continent, Kenya, which has many tourists. The dicks looking for the second spring were replaced by fat and greasy middle-aged aunts. Tereza is one of these dream chasers.
In the beginning, Tereza was just a simple vacation. She was both curious and shy when faced with the descriptions of local blacks by her friends. Compared with her friends who were already familiar with her, Tereza appeared young and tender... She was at a loss for the black people selling jewelry on the beach. Seidel's image style has almost reached its peak in this film. A large number of symmetrical composition, fixed lens, high saturation tones make the contrast of black and white appear more visually impactful. Blue sky and white clouds, waves and sandy beaches, under the tranquility is a torrent of desire. It wasn't until Tereza met Mongo, a young black man who helped her drive away the crowd on the beach, that Tereza really found her "love". She taught Mongo how to touch her breasts, how to kiss her tongue, and how to make herself comfortable in a small, dimly lit room, until the end of the intercourse. What followed was the truth after the lie. Mongo asked Tereza to give her sister a sum of money to treat the child (in fact, his wife), and Tereza to make a donation to the school teacher. In short, , The mouthful of love before going to bed has now become a mouthful of money. This is Mongo's ultimate and only purpose, and Tereza is kept in the dark, naively thinking that she has found love. It wasn't until she saw through Mongo's scam that she officially stepped into the ranks of friends, recognized herself and told herself that now she has only money and sex that money brings, and no love. The fornication orgy with a black man in the room with her friends and her friends can be described as a complete outbreak of depression and a sober recognition and acceptance of this foreign country. There is no modification in this whole lewd scene of black jj. Seidel still uses documentary-like rough and intuitive shots to make fat old women play with black JJs, making lewd laughs and black ketone bodies. Entangled with bloated ketone bodies. This is a crazy time dedicated to Ulysse Seidel, and there is a humiliation party between two men and one woman in "Days of the Dog". In "Import and Export" there is a stepfather's training and oral sex to prostitutes. The racial melee in this film can be described as a visual impact, and the degree of madness has taken to a higher level. In the end, Tereza drove away the black man angrily because a black man was unwilling to add a B to herself. At this time, she already knew her purpose here and her self-recognition, so she was crying in bed alone, crying for wishful love, crying for saggy skin and fat fat, only money and sex for this DreamWorks crying, crying for the ugly and lonely self.
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