All things fair, this is the original intent of the film, not the so-called Chinese translation of "Classroom Love" which is closer to market demand. In my opinion, the main point of the film is not the so-called Sting coming-of-age ceremony. It is a fair world-men get revenge for extramarital affairs; women refuse to divorce because of revenge; boys are more likely to be relative to their peers. The acquisition of sex is regarded as a captive of sex, but because of this abnormal love affair, you know the world; the girl gets the body of the boy because of the giving... In order to get the respect and care of others, you have to give, without happiness It's at your fingertips; similarly, when you do something wrong, you must try to make up for it. Although perhaps these efforts may not be able to restore the broken mirror, but the effort is at least a gesture, at least it will not make things worse.
It is the woman who controls the plot of the story. If it were not for Viola, Frank might not be so lonely. Sting might still grow up like other ordinary boys. The little girl might be able to get what she wanted early in the morning... It’s still 70% passive. If Frank’s affair is still the fuse of everything, but what follows is her masterpiece—she is not the one who lit the fire, but she was the one who added the fire to the fire. The person who loses everything-a woman with extreme possessiveness and revenge. Whenever a man encounters such a woman, it is nothing more than these two endings: one is to become Frank’s cowardly and downturn, and the other is to become a strong growth of Sting; such a woman is destined to not be happy-All things fair, Treat your emotions with a vengeful attitude, and all happiness will be gone.
Sting is a sensitive boy. From the beginning of the film, he knew how to protect his Jewish classmates who were oppressed. When Frank's business failed, he was the only listener, for fear that his mother was worried and temporarily concealed the news of his brother's death, as well as the last scene and just experience. The father who lost his son sang on the returning train... Endure so much, but no one can share it with him. Even the neighbor’s girl could not do it. The adolescence of a boy who made people so tender There is no love but only sex in adolescence, and only this kind of growth in the description of the film can make him slowly understand the meaning of life. And Frank used to be so close to a growth benchmark-music, knowledge, cultivation, career, cars, etc. everything they talk about, it seems that men should be like this.
To Frank, it was more of a pity. Astonished at the relationship between the boy and the man, it seemed to be a more informative friendship. You know, the failure of that business, shouldn't a woman of his be listening to him? And at this moment, the moment he was poured into alcohol, the woman who was supposed to encourage him to support him turned out to be in her pajamas preparing to flirt and have sex with a 15-year-old underage boy.
All things fair, it was this scene that became the turning point of the story, which made Sting suddenly understand everything, so he wrote "It's I who am right, and you who are wrong" on the blackboard in public and kicked the stage. ——This is like a coming-of-age ceremony. After experiencing alcohol and sex, it completes a man's youthful coming-of-age ceremony. Finally, Sting walked in a fire, burned all the memories here, completed the only way from boy to man, and completed an All things fair.
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