-Being able to produce a movie like "Miyang" and gaining the respect and attention of the country and the people also proves that no matter how overheated and surplus Korean movies are, they are worthy of the local history and culture.
-"Miyang" is not an anti-religious movie, absolutely not. It has never even questioned religion (it is the characters in the film that have questioned). It discusses the issue of faith. It is not only the belief in gods, but also the belief in people.
-Discussion means asking questions and examining every possibility. Faith is an autonomous choice that must be scrutiny. Faith that is not questioned is just a blind superstition. It is also a kind of responsibility, not a kind of dependence or reliance on God. Knowing this, Shin Ae (Jeon Do Yeon)’s conversion to religion is actually just another escape (just like she came to Miryang to escape the pain of a lost husband). The believers around her, especially the proprietress of the pharmacy, are blind superstitions. (Li Cangdong is not without his sense of humor: What better metaphor for these fools who sell religion as painkillers than a pharmacy? )
-Shen Ai asked, "Where is God? I didn't see it!" She fell to the ground afterwards (Li Cangdong is such a meticulous and unmarked author!), when she looked up and saw the church banner, she thought " "Look" to God. The irony is that the redemption has always been by her side (the inconspicuous Luton Zong Can), but she never saw it, just like the Miyang in the corner in the last shot.
-(It is the symbol of "seeing" in the mirror, which is filled with every passage of the movie from beginning to end.)
-Jeon Do Yeon Chan: Probably no second actress can have her ability and charm to play this role. She made me feel Shen Ai's colic like a knife.
-The report said: When she first received the script, she declined the performance because she was afraid that she would not be able to perform it. I guess she is afraid of the pain of the character. It's not a joke: playing this role is going to die. Take the scene of Shen Aitao crying in the church as an example. With that scream like being torn into pieces, can you imagine what it would be like to torture the actor? (I think of that song in Lin Quanze’s masterpiece "The End of the World Singer"—the same hoarse voice, the same teaching people can’t bear it.)
-After winning the prize, on different occasions, Quan Duyan’s answers were all It is: "I'm very happy, because I know I have improved!"
-not only a decent, but also what a humble actor.
-Song Kanghao is humble like her. It’s our actor, I’m afraid Zongcan’s role will be resigned one by one. Because there is no acting on the surface. It was Song’s humility, who played the greatness of a humble little man.
-It is a kind of happiness and a kind of blessing to be able to cooperate with such an outstanding actor. - Give me? You can die without regrets.
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