I saw it several times before I understood it.
The plot of the story is actually very simple. The director’s flashbacks seem to be very complicated. In 1909, a famous prostitute was murdered in a country brothel in the United States, but the body has not been found. Since then, the house has not been very friendly to straight men. Friendly, everyone in the village knows, but the male protagonist moved from the city is not clear about the facts. He always thought that the blonde beauty he encountered was a local college student, but the words of the old man at the bar proved that there are actually no universities in the local area, and there are very few young girls; blondes come and go freely and cannot be photographed by surveillance. There are various signs that the blonde is a facial expression. ghost. In the end, the blond beauty punished the scumbag male lead, and the female lead buried the blond beauty. The story ended, but the male lead’s soul remained in the house.
But many of the details are actually very interesting.
1. When the male protagonist just moved in, there were various viscous liquids in the house. Later, when the male protagonist smashed the wall, a white liquid was also sprayed out, echoing the house that used to be a brothel. Liquid metaphors jy.
2. Although the blonde beauty understands from the bottom that she is just a pastime for men, and what a man cares about is the power that a woman attaches to him when she dedicates her life, but the blonde beauty is also a captive of patriarchal power. She is an m. The plot of the hero pinching her neck can be reflected. Moreover, she has hope for the male protagonist. Black brother was killed by her because he was more upright. She was afraid that he would run to tell the male protagonist’s wife the truth and break their relationship. She also knew from the beginning that the male protagonist had a wife. Yes, the hero was killed in the end because the hero completely broke all her illusions. In short, if she is really a righteous ghost who punishes scumbags, she should kill the scumbag after she sleeps with the protagonist, and she didn’t. This proves that the motive for her murder is not that the scumbag is not a scumbag, but whether the man is a scumbag or not. Scum on her.
3. When the male protagonist hits the wall, he smashed various liquids. Every time he hits, there will be a groaning sound. There is a bloody heart-like thing in the hole in the wall, and the house seems to have life. This is actually showing how many physical relationships the house has witnessed as a brothel. The director came up with a satirical idea that the power of sexuality is so great that it can make the whole house infected and assimilated to become a monster.
4. The male protagonist is actually very perverted. His perversion is not only reflected in his character of spending time and deceiving money and money, but also in the pornographic films he watched. The female in the pornographic film has been calling daddy, which also echoes the latter. In the plot, in addition to the ghost of the blonde beauty, there is also an unrecognizable kid in the house. The kid is a prostitute. Every time she acts, she puts marbles in the yd. The reason why she listens to the brothel boss is because of her subconscious mind. Li regards the brothel boss as his father. Her popularity satirizes men who tend to be pedophiles. The pedophile tendency of the male protagonist finally made him turn the target to his daughter. He threw marbles at his daughter and the phrase "that's my girl" was exactly the same as what the brothel owner did to the underage prostitutes.
5. If the film is not wrong, it actually satirizes religion. As a neighbor, the pastor has always known that there is a problem with the house, and has always known that the hostess is in danger, but she has nothing to do except to set the stage, and later explained that life is a choice. You can't give pointers to other people's choices. The blasphemous brothel should be closed, but the believers turned a blind eye to it at the time; ghosts should be superfluous, but the neighbor as a pastor was indifferent. This kind of value is actually very distorted, isolationism, I don't do bad things, but I don't do good things either. The choice of the pastor will definitely take turns, because in the end the female ghost in this house was overrun, but the male ghost appeared again. Can she guarantee that she and her family as a neighbor will not be affected 100%?
6. The reason why the little ghost is completely different is because he has no whole body, and he was hit by a train like that.
7. Ending: Combining the fourth. In fact, my understanding of the ending is different from the general idea on the Internet. The male protagonist does not turn into a ghost to take care of his daughter. It is very possible to lose most of the self when one is one, and the lust that belongs to the sensory instinct is magnified. The overall image of men and women created in the film is actually very rigid. Men are aggressive and want to control the overall situation. Women are in a submissive position. They are in a submissive position. They are reluctant to submit to their husbands’ cheating, cater to the perverted tastes of male customers, and even call the brothel owner a dad, a blonde beauty. After turning into ghosts, they have not been able to escape this mode of enslavement, so it is reasonable to imagine that when men become ghosts in this house, they do more not to torture and kill women, but to seduce women and make them degenerate, just like a brothel. What the boss did: Give the girl a bag of glass beads to please her, but in fact she is using the girl to make her degenerate into a prostitute.
8. The reason for defining it as a feminist film is very simple. The male characters are basically dead, and the female characters have won a lot. In fact, the director also wants to imply that true feminism is not "how to be comfortable with men" but "how to be comfortable with myself". The female protagonist retreated from the beginning to resolutely refused the male protagonist’s apology and begged for mercy. The ghost finally let go of everything and walked down the stairs and stroked the head of the little ghost who looked like a sister, no longer entangled in punishing scumbags or pursuing men’s wholehearted recognition of themselves. For women, feminism does not require too much attention. Men, but should they pay attention to their own happiness?
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