This is inevitable. Movies originally adapted from comics have a relatively narrow audience, and at the same time they lack the charm of comics, so the scores will naturally be greatly reduced.
Among Ito’s works, I like Yu, Tomoe, Uzumaki and unswerving love the most, so when I heard the movie version of Uzumaki came out, I hurried to look at it. The first impression is good, especially the girl playing Tonge has the demeanor of Ito’s early style, with a beautiful face and curly hair style, a bit like the girl in the Oshiki series. The description of Shinichi’s father is also loyal to the original, but the description of how he committed suicide and turned into a whirlpool is not detailed enough. If you have not read the original, it is difficult to imagine how he rolled himself into a ball. As a horror film, here is You can also add a few lenses.
The most dissatisfied place is Shinichi. Even if it is a cos comic, there is no need to put so much oil on the hair, and the actor does not need to be so ws. Shinichi is an extremely important and splendid character in the whirlpool. When I watched him, he was the most fond of him, but it turned out to be such a look, which really disappointed me. There is also the description of the source of the disaster in Heiguo Town. I don't like the screenwriter to make a prevarication with no cause and effect. I personally think that strange phenomena without a cause are more in line with Ito's weird style of painting.
The cut off of the umbilical cord and the relics adds to the anger of the fans, and turns a story that has a beginning and an end into a deformed deformity. This is indeed the same as the film adapted by Fu Jiang. It can only be said that in an era when Japanese native pure horror films are also in decline, the road to horror manga adaptations is more difficult. The problems of funding and audiences are testing the director's skill.
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