Any director named "Quentin" can produce works that can bring unexpected pleasure and enjoyment to the audience. Of course, Quentin from the United States is not a problem, and this director from France is a newcomer. , But skill is not to be underestimated. Early incarnation Mr. Oizo played experimental electronic music, then switched to film creation, and has filmed many French grotesque comedies, from "Steak" to "Super Tire Murder" to "Real", winning the favor of many local French audiences all the way, and it is also a "movie". "Handbook" has always been admired by the new director. Following last year's Crazy Detective's "At the Police Station" theme, Quentin Dupieu's new work this year did not disappoint. It was the opening film of the "Director's Fortnight" unit at the Cannes Film Festival. As always, Quentin also continued to use short and succinct pages to express unconsciously grotesque violence and absurd comedies. Even more unexpectedly, this can be regarded as his first tribute to the American director Quentin. The film mentions that the editing technology of "Pulp Fiction" is an important factor in its success, and this new work is also in the plot of a wild horse. Explain the hardships of filming. A successful film needs to be backed by sufficient funds, otherwise it can only be filmed with a simple portable DV like the male protagonist in the play, and it is difficult to shoot a decent feeling; secondly, an experienced editor is required to edit. The magician of the master can cut out the director’s ideas and film themes from a large amount of shooting materials; in the end, there must be a qualified producer, who can control the cost of the film, so that the funds can be used for practical purposes rather than wasted on others. The place. Of course, the most important thing is to have creative imagination and wild and bold expressions in order to shoot amazing works! In the film, the two protagonists, under the cramped cost, jointly produced an unsatisfactory work, which is regarded as a kind of self-deprecating and encouragement by director Quentin for his independent creation and shooting. In addition to this topic involving the film industry, the director deliberately discussed the topic of loneliness this time. The male director who walks alone and talks to a deerskin jacket, and the waitress who works hard in a bar with no customers and almost buried talents. Two lonely souls collide unexpectedly under the portrayal of Wang Jiawei's character. The spark of comedy, and the qualitative change in the relationship between the two is the core of the film: the deerskin jacket. This kind of extreme fetish emotion, including the actor trying to collect everyone’s coat, led to the end being controlled by the coat to kill people, but he turned into a retro cult, and he talked with the British director Peter. Strickland's lead pornographic film "Ghost Shadows and Dresses" has amazing things in common. However, Quentin Dupieu’s author style is still unique, with ambiguous symbolic imagery, comical and violent portrayals with no traces of routines, occasional plot missing from narrative logic, and excessively jumping emotional changes in the characters. All give the audience a sudden sense of absurd humor, especially the abrupt ending, which gives people a strange and unfinished taste.
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