The first hour of the movie, of course, couldn't let me put down my mean attitude. Although Gui Lunmei is super beautiful, Jay Chou is super cool, Huang Qiusheng is super silly, student clothes and light are super pure, the scenery and photography are super refined, but this is not yet another extended version of Guangliang's "Fairy Tale", silly and pure, let one of them go Seeing the god of death, the person who loves her can only cry and cry, and is exhausted. Korean dramas always make the protagonist suffer from leukemia, and Chinese movies also catch up with asthma. Orientals love the sick and haggard beauty. It's just that "Secret" moved the Tyumen car racing PK from "Initial D" and turned it into a piano PK like "Sea Pianist". Let us witness and confirm again that Jay Chou is too talented in music.
If the movie is just like this, I can leave right away, just like Jay Chou’s song, it’s nice and cool, but it’s just a bit tricky combination. Fortunately, Jay Chou is really talented, not only in music, because the short time and narrow structural space of pop songs cannot allow him to extend, expand and make magic, so whether the movie can be a good way to relieve the suppression of his talents. What about the medium? In the last 40 minutes of the movie, I told us that this is a great platform for Jay Chou. So starting from the scene where the correction fluid was talking on the desk, I found that the first time Jay Chou composed the song with a camera, it was not a beautiful " "Qilixiang" and "A Thousand Miles Away" are not the melodious "Chrysanthemum Terrace" and "East Wind Breaking", but go directly to the complex sonata style. A boulevard paved by piano sonatas.
It’s just that the presentation section of this "Secret Sonata" is too long, and the development section is not very tasteful. It was not until the last 40 minutes of the reproduction section that it became exceptionally exciting, and because of this the exquisite wisdom that can turn around in this way. Orgasm to overcome all contemptuous and mean attitudes.
I don’t know whether it’s appropriate to deliberately use the sonata style to set the story structure, or it’s just a far-fetched analysis, but in the movie, Chopin and his lover George Sang on the wall of the old piano room, and those who continue to operate on this wall The transition process (you can pay special attention to the scenes from the classroom or home to the piano room every time), so I can not help but think of the sonata-like structure. From the beginning of the movie to when Qingyi kissed Xiao Lun who was waiting for Xiao Yu in the piano room, she can serve as the presentation department and raise contradictions and questions-Xiao Yu and Qing Yi both like Xiao Lun and what is the secret of Xiao Yu? The exhibition department strives to show the beauty of purity and is a soothing slow board. Among them, the sweet development of Xiaoyu and Xiaolun can be used as the main theme, which has the beautiful trend of Saint-Sang's "Swan", and the conflict with the main theme is Xiaolun and Xiaolun. The relationship between Qingyi, the two brothers of the rugby team, and his father. These three seldom-written relationships can be used as the sub-themes. Keep up with the main theme of "Swan" and develop it with the seasoning of rock band and Huang Qiusheng playing guitar. Tune. This presentation department is dazzling and lengthy, and it belongs only to fans of young boys and girls who like small sentiments and Jay Chou and Gui Lunmei. The development department went from the wrong kiss in the piano room to when Xiao Lun and Xiao Yu agreed to wait in the classroom during the graduation ceremony. This paragraph continued to develop in accordance with the pure routines expected by the audience. Xiao Yu, who wanted to leave school without thinking of tea, was used as the relationship between the two. In the meantime, naturally, the tone of the presentation department evolved into Xiaolun’s indifferent attitude towards Qingyi and his father. Some viewers began to expect that this was just another pure love story similar to a leukemia incident, while scheming viewers began to look forward to the development of contradictions and the disclosure of the problem. Which secret is it? As a beautiful girl, why does Xiao Yu only talk to Xiao Lun in campus life? Unless, other people can't see her? As a result, the long-awaited reappearance department finally played with a splendid brilliance, unified understanding and resolution of contradictions, strange horror, mysterious fantasy, warmth and romance unexpectedly came in one brain, the story of Xiao Yu and Xiao Lun was broken down into two different time and space. Narrative, and flash back to the main theme when entering the presentation department. Unlocking the bell is also the person who is the bell. The light rain in the past time and space opened the mysterious music score marked "secret", Chopin and George on the wall. Sang began to play under Sang's gaze, and in an instant time flew by, time and space intertwined. And perhaps the ultimate dream of director Jay Chou for the power of music is to create great works of art like Chopin that can last forever and precipitate time crystals. In this accumulation process, musicians will inevitably not be able to get rid of desolation and even be regarded as not. A normal destiny is like the light rain in the film in the past time and space that was isolated by insight into secrets. It is a pity that popular music cannot tolerate these powerful forces, and Jay Chou, who is not strong enough, can only confide them into the world of video. Of course, Jay Chou also left him with the desire to fully understand the ultimate dream of music, that is, at the end of the "full song", there is a series of riddles hidden in the secret score, "If you want to go back, you have to speed up", so Zhou with erotic desire In the danger of breaking down the house with a big hammer, Dong flew the music, and finally satisfactorily saw the light rain in the past time and space that has not yet discovered the piano score. At the last moment, the return of purity is still the end, and it can also be said that Jay Chou's perfect expectation of music dreams. All the time, what he wanted was the exquisite purity, exquisite enough to overcome the disdainful sentiment of the literary and artistic youths.
However, I still have to say harshly in the end. After all, this is an unexpected surprise brought to us by the pop idol Jay Chou. It may have made a huge breakthrough in screenwriting skills and rhythm changes in youth dramas, but whether it can rise to beyond. The height of popular art remains to be understood. If such a movie was made by David Lynch, I would disagree; if it were a Harry Potter series, I would like the previous ones; but if it was made by Jay Chou, all I could have was to let go of the mean Sincere praise, because I did see Jay Chou who has a deeper artistic dream in it.
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