on the day we watched it, we also watched "Boiling Water Is Hot, Girls Want to Be Strong". In fact, it did a good job,
but after watching "The Good Man in Three Gorges", we almost forgot all of it.
And today, between eating and drinking,
I will suddenly burst out a sentence: "Lao Fang, in the Three Gorges, those few empty shots are so awesome!
Jia Zhangke is so awesome !"
Because of a brief interview with Jia Zhangke before. ,
so that several groups of empty shots will be particularly care:
is Han Sanming from hemp boss out of the house, passing a few workers in the demolition of the empty house,
fluttering on the wall a "struggle",
shots of several empty house, the remains of a move Traces of the walking owner's life:
Jay Chou on the wall, certificates, and banners.
That is the love, joy, glory and experience of people who have lived here.
And these people have been expelled, evacuated, wandering and wandering.
I like Jia Zhangke's film so much that it has achieved this point: the
pen is like prose, the sentiment is full of poetry,
but the structure of the story is a complete story, and the language of the lens is an absolute movie.
Just like a grand master has already opened up the whole body meridian, no move seems to have a move. The
movie is full of vitality and passion. The
start is so fast and the capture is so precise. It is
completely realistic themes and details, but there is a kind of surreal everywhere. Absurd,
this tone is so close to the current China!
Are we in a crazy age?
Zhao Tao went to the factory to find her husband. Seven or eight migrant workers were demolishing the huge steel pipes of the factory, and
one of them was smashing the railings he was standing on.
Are such brushstrokes surreal?
What did you smash your own railing for? It broke, are you going to fall?
Thinking about these things, I really feel very shocked.
Liu Jiayin said: It is not difficult to look back, but to look now.
There are currently a number of movies based in the 60s, 70s, and 80s. Why is no one writing about the current events?
I don't like to look at the cruelty and beauty of the past warmly.
I like even very rough, improvised, and random, but being in it, I will never reject it.
Jia Zhangke made no secret of his criticism of social reality in "The Good Man in Three Gorges":
the person from the demolition office said: "A city in two thousand years will be demolished in two years. Naturally, there are many problems!"
The director of the factory also blatantly. Selling the factory to a Xiamen woman,
the demolition company set up by the Xiamen woman is in charge of a man named Guo Bin.
This man seems to be the boss of the underworld, and there is a group of people, including Brother Xiao Ma, who are selling to him.
In fact, Xiao Ma did sell his life, he was buried in the masonry of the demolished building.
The woman of the one-armed man is probably a prostitute (speaking tone should be our Wuxi area), forced to drift to Guangdong. Seven or eight of the demolished migrant workers (models of Liu Xiaodong's oil painting) also paid their lives and deaths to a glass of water and wine,
ready to follow Han Sanming and go all the way to Shanxi to dig coal,
even though they were briefly silent because of "danger."
Life is like this, and life must be like this: STILL LIFE, life is to live.
A man from Shanxi, looking for a wife he bought 16 years ago,
a woman from Shanxi, looking for a husband who has not returned home for two years.
Two seemingly unrelated people, Jia Zhangke faintly connected the two clues together.
We think there are three places, one is a Xiamen woman, the other is a one-armed man, and the other is Guo Bin’s younger brother Xiao Ma.
After watching the movie, the amount of information is so great that there are already a lot of good luck, no memory,
and it is difficult to organize a frame to describe.
My mind is full of pictures, one by one : for
example, Han Sanming got off the boat and passed by a ruin. , A few migrant workers squatted upstairs in the dark,
such as Han Sanming and a woman sitting opposite each other, talking about grievances 16 years ago, and a tattered plastic sheet floated behind them,
such as always from Zhao Tao’s face. The oil and sweat that evaporated thinly adhered to the surface of her skin, and
the sultry heat of the entire city turned into a kind of emotion, a kind of urgency and a kind of destiny.
For example, when Zhao Tao went to the factory, it was the one-armed man who followed his sister to seek justice. A shot was given to the brothers and sisters:
they were standing under the scorching sun with a huge abandoned factory in the background. Relying on bicycles,
justice is impossible to seek. , The money is naturally not available, the camera probably gave them two for a second, they stand alone nowhere,
and this second, I am very grateful to Jia Zhangke.
There are so many favorite places to list them all.
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