This is Kislovsky's early film, but from it you can already feel the thinking in "The Ten Commandments".
The idea of the film is simple and straightforward-about the true meaning and thinking.
His daughter was about to be born, and the male owner bought a small camera with two months' salary, and his life became unusual.
The director asked him to film the 25th anniversary of the factory. Later, the documentary also participated in the film festival and won an award.
The inadvertent Liu gave him unprecedented recognition for the first time. Something in his heart sprouted or resurrected.
The director is also willing to subsidize him to shoot something, but he has to get permission.
But he has his own ideas, he only wants to take pictures of the things he feels and want to record.
He spent a lot of time shooting, familiar with everything about the film, and invited famous directors to come to talk.
The TV station also quickly broadcast the film he shot, everything seemed so smooth, he didn't have time to think about it.
Suddenly his wife couldn't stand his love for movies and left him because she only wanted a peaceful life.
The factory may also be closed because of the impact of the film he broadcasts.
He began to think, what on earth was he doing?
What kind of role does your film play, and what role can you play and what role can you play?
It is said that after the filming of the film, director Keda said something similar to this: The documentary is dead. It feels like Nietzsche said: God is dead. At that time, Kislovsky, who was not a master at the time, used such a real and cordial film that inspired the audience to think about the movie and even life itself, telling everyone that the movie can still be shot like this...
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