From right to left, there are Bruno, Bruno's girlfriend, Michelle's girlfriend, Michelle, and the yellow one behind is the mother of these two men-a hippie, and the two men are half-fathers. brother.
Moritz Bredo, who played Bruno (who played a role in "Lola Run"), won the Silver Bear Award for Best Actor at the Berlin Film Festival for this film. At that time, he refused to play the role, thinking that this role was just the same as him. The roles filmed are too similar, but the director just couldn't find a more suitable candidate than him.
Mother: There is a gust of wind when giving birth, not raising children. When the two boys were in their teens, she arranged for them to meet. That day Michelle was chatting with the girl who liked him (who later became his girlfriend). The mother came and said, "Pay attention to contraception" and left; I saw this again. When she was a mother, she was dying, and Bruno cursed her hurriedly.
Two children:
Michel, became a scientist and experimented with asexual reproduction on animals and plants all day long. He was not good at expressing his feelings. He appeared dull and sluggish in front of his girlfriend. Afterwards, his girlfriend was unable to have children and seemed to be in his arms.
Bruno, becoming a literature teacher, even saw female students’ homework that would provoke him to ejaculate. He was deeply troubled by his own sexual impulse. He participated in the celestial club through mental therapy. Group sex, stripping clothes and playing games are daily courses. I met her and enjoyed the meticulous sexual care for a few days. When he thought he had finally found his support, she was suddenly paralyzed due to illness. She ended her life and his sanity.
Two girlfriends:
Michelle's girlfriend, empathetic, depressed and restrained in love, has been waiting for Michelle to express affection to her. If her parents hadn't watched her pitifully help her, she might have flicked like this all her life.
Bruno's girlfriend, who enjoys desire, uses her next life's weakness to avenge her body, and she uses the end of her life to retaliate against the extinction of her body. That scene: She fiddled with her unconscious limbs, took the pile of meat that was waste to her, fled to the balcony, indulged for the last time, and once again took control of her own destiny.
The sitting posture and arrangement on this poster are slightly different from those at the end of the film. Their mothers are added to the poster. The behavior of the five people in the play constitutes the basic elements of the film. In the film, four people sit on chairs by the beach. Bruno’s girlfriend will certainly not die and resurrect. She is immortal only in Bruno’s heart. Bruno can see her. At this time, the director suddenly turns the audience into After Bruno, I can see it with Bruno.
Everyone is an elementary particle. As a particle, it not only constitutes and combines a world, but is also acted on and controlled by the entire world. Anti-Vietnam War, Sexual Liberation, Feminist Movement... Behind the symbols of the era is the sacrifice of the individual's fate, whether it caters to the trend or is against the trend. Three thousand water.
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